FLOOD

Mapped out in accordance with the five stages of grief, the LA-based artist’s third LP serves as an instruction manual on how to cope while also expanding their bedroom-pop palette.

John Dwyer reteams with OG Oh See Brigid Dawson for 70 minutes of messy, bootleg-quality live material mirroring their early lo-fi collaborations.

On her solo debut, The Breeders band leader abandons sarcasm and lo-fi aesthetics in favor of florid arrangements that frame a far more sensitive side of the songwriter.

Juxtaposing a love of sewing with 13 minutes of whiplash-inducing, eardrum-destroying atonal assaults, the Brooklyn duo’s latest EP is yet another confounding product of twin telepathy.

The Leeds pranksters’ second album is a mixed cocktail deviating from traditional proto-punk by lacing songs with ’80s synth lines—and, of course, bars about wokeness anxiety.

The Colorado heavy rockers’ fifth and final record exhibits their broadest sense of appeal, ranging from aggressive noise rock to catchy post-hardcore hooks.

At various turns haunting, alluring, catchy, and confident, the Jacksonville shoegazers’ well-considered debut introduces the band with aplomb.

Climbing out of the black-metal pigeonhole, the Portuguese group sound more confident and creatively unrestrained on their fourth album rather than merely louder.

Frontman Eugene S. Robinson and bassist Andrea Lombardini help us digest the noise-rockers’ collaboration-filled fourth album.

As they continue to forge new paths for the subgenre, it often feels like the Denver technical death metal band is doing too much on their third album.

The 11 eloquently imperfect recordings on the hardcore punks’ sixth album harness the anger that shakes them to their core as they take aim at wishful thinking and our imminent demise.

The Finnish avant-garde quintet’s sixth album is challenging from start to finish, managing to heap even more styles onto their mesmerizing blend of black metal and psychedelia.

Each song on the noise-rockers’ seventh LP is distinct in style and substance, allowing Oliver Ackermann to tap into his emotional self as if looking through a slowly twisted kaleidoscope.

David Yow and Duane Denison discuss Rack, the noise-rock legends’ first new record in 26 years, and how the world has changed in the interim.

The West Coast screamo quartet isn’t afraid to turn down the volume on an otherwise-blistering return to form with their most mature, expansive, and explorative record yet.

Tim Kasher discusses the themes (and interludes) of the post-hardcore band’s 10th LP and first for Run for Cover Records.

The Melvins drummer sheds light on each of the 11 songs on his newly released third solo outing, which features contributions from Tom Waits, Ty Segall, Pinback’s Rob Crow, and more.

Five albums and 15 years in, electronic wizard Robert Alfons seeks to start his musical endeavor anew—all the while wondering if a slate can be truly wiped clean.

Containing eight 7-inch singles and a bonus flexi disc of crisp recordings taken from Radio 1 performances throughout the ’90s, this box set embodies the spirit of the space cadets running amok.

On her fourth solo outing under the ambient-slowcore moniker, Madeline Johnston reaches a state of enlightenment as she sounds totally confident about her identity as an artist.