FLOOD

Roddy Bottum’s second record with partner and bandmate Joey Holman is as direct as Faith No More albums are enigmatic.

Ahead of the band’s eighth studio album, the frontman discusses change, acceptance, and the sonic brutality of their latest offering.

The Louisville post-punks’ new EP sees them more toned-down than ever without a trace of their penchant for psych-rock to speak of.

Ahead of the band’s headlining appearance at Oblivion Access this weekend, Justin K. Broadrick talks Purge—the industrial-metal duo’s first new LP in six years—and finding peace in the isolation of the British countryside.

Mischievous, unrestrained, and daring, the Montreal psych-rock collective’s second album boldly redefines a sound they’d already redefined.

The Zamrock trailblazers’ first album in 39 years is impressively coherent, far-reaching, and composed in terms of songwriting and the musicians’ relaxed delivery throughout.

The LA trio boast breathtaking breadth on their second effort as their colorful canvas features gentle vocals carefully layered atop introverted math rock and light noise.

This 2012 recording from the Austin psych-rock festival makes the argument that the band can prove their mettle in just 40 minutes.

The ambient outfit’s 13th effort is the fullest representation yet of Matthew Robert Cooper’s outlandish compositions, as it’s his first album to feature a live orchestra.

By mixing tones, textures, and time signatures, the recently reunited noise-rock outfit have concocted a luscious, irresistible, unpretentious punk sound.

With their sophomore LP, the Santa Cruz hardcore group wears their experience on their collective sleeve and for the first time sound fully confident with their songcraft.

In the project’s 25 years, Jimmy LaValle has never sounded this sullen—though guest spots from Bat for Lashes and Kimbra help to bring moments of hope and temporary joy.

The Canadian soundscape artist strips any semblance of sensationalism from his electronic music and thrills us like never before on his 11th solo outing.

The Austin trio uses their fourth album to upend preconceived notions of what heavy music can do—then flips the script halfway through.

The single-track The Clandestine Gate arrives digitally this Friday via Profound Lore, coinciding with the song’s live debut at Roadburn Festival.

Aaron Heard talks betting his life on his metal/hardcore crossover band ahead of their anticipated sophomore album So Unknown.

The debut album from the Baltimore post-rock group taps into a wide range of emotions like much more experienced artists.

The Chicago noise-rock group’s fifth LP demonstrates that they’ve come a long way in understanding how to effectively use experimentation and space.

Reminding us of the critical role the LP played in the rise of emo, this remastered version is much shinier than the one Braid quickly recorded in five days in 1998.

On their new EP, the Swedish collective are embracing their true identity as a death-metal band that, under the corpse paint, is really a hard-rock outfit at heart.