FLOOD

Robert Pollard’s project’s surprisingly hi-fi 39th album shows its current lineup holding a torch for no-frills indie rock with no punches pulled.

On her third covers LP since 2018, the alt-rock songwriter takes on Jeff Lynne’s symphonic rock hits and deep cuts with a locked-down style that’s less theatrical than even her own recordings.

Dipping into both the chamber-folk balladry of his early career and his later electronic experimentation, Stevens’ 10th LP is a whispered statement that yells its intentions into the void.

For their 13th album, the longrunning alt-country group leans their mid-tempo rock melodies through Cate Le Bon’s layered production approach.

This new collection of B-sides from the Modesto group’s 2003 LP reexamines the prophetic promise of the crumbling computer age that the original album showcased so well.

Recorded last summer at the annual event in Rhode Island, the Canadian-American songwriting icon’s first live set in two decades showcases her infectious performance personality.

The Norwegian producer’s sixth album finds him jettisoning his slow-orbit jams of the past for propulsive beats and a lighter production mix.

With the help of a 41-piece orchestra, this demure-yet-dazzling eighth LP is more intimate in scope when compared to the Icelandic band’s yawning post-rock discography.

The Atlanta emcee leans into gospel and soul influences on his first LP since co-founding the more electronic-infused Run the Jewels a decade ago.

This Yoshimi-era EP of fan-favorite demos is a warm piece of rock mythos finally made available to collectors as a cotton-candy pink curio.

Birthed from dreams and the Biblical book of Psalms, the nocturnal characteristics of Simon’s new 33-minute acoustic tone poem are another fork in the path for the songwriter.

Tim Rutili’s eighth album under the moniker spans a wide thematic landscape like a good short story collection, digging into the same experimental-folk loam he’s sifted through since the mid-’90s.

The reissue features crisp remastered audio and an intriguing bonus EP to complement this moonless fairy tale of chiming alien transmissions and chamber-folk malice.

The steadfast indie rock group’s production toolbox is fully refined on their ninth effort, providing more surprises in the melodic trap doors between tender and somber.

The Canadian songwriter continues to play a series of wild cards on her sixth album, which mostly lives up to its name.

The Canadian group’s ninth album builds off the adventurous power-pop sound floating around its predecessor while zooming in on themes of isolation and emotional upheaval.

The songwriter supergroup’s full-length debut screams out its manic heartaches and unrolls stories with a quiet resonance—and just plain rips as an indie-rock record.

These 12 tracks all point back to a pop artist not afraid to take some wild swings on her second album for her given name.

Katherine Paul finds a new sense of space within Swinomish traditional pow-wow music on her fourth LP as she explores themes of homecomings and reawakenings of mind and soul.

On his sixth album, the Saskatchewan-born songwriter continues to stub out his standby concepts of interpersonal trauma like used cigarettes.