With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Frankie Cosmos, Different Talking
Greta Kline’s sixth album finds her clicking with her new band, lending these songs a DIY quality reminiscent of her early demos despite digging into themes exclusive to adulthood.

BC Camplight, A Sober Conversation
The UK-via-NJ songwriter’s blackly comic neo-chamber-pop missive on sobriety still manages to speak to the upbeat without a snip of excess emotion.

Bruce Springsteen, Tracks II: The Lost Albums
This new box breaks down seven well-framed sets of sessions spanning 1983 to 2018, essentially designed as full-album capsules of mood previously deemed unfit for canonization.
Kyle Lemmon

2014. Run the Jewels, “RTJ2”
Killer Mike and El-P are rappers that go together like cereal and milk. The veteran firebrands thankfully show no sign of stopping any time soon.

Jessie Ware, “Tough Love” cover, 2014.
Ware crafts very urbane pop music using very modern electronic and dance sensibilities as the backbone.

2014. The Rosebuds, “Sand + Silence” album art
The thirteen-year career of indie-pop duo The Rosebuds was established on the romantic relationship between Kelly Crisp and Ivan Howard, who began the group in the midst of courting, wed at the zenith of their career, and kept limping along after a messy divorce.

2014. Bear In Heaven, “Time Is Over One Day Old” album art.
Brooklyn-via-Alabama trio Bear in Heaven continue to melt down their prog and electro sensibilities into a white-hot core for their fourth album Time Is Over One Day Old. The verve of the group’s 2009 breakthrough release Beast Rest Forth Mouth even returns to some extent.

2014 Sia “1000 Forms of Fear” album art
Australian pop marvel Sia Furler wrote some of the biggest songs of the past five years, including Beyoncé’s “Pretty Hurts” and Rihanna’s “Diamonds,” but she continues to kick against all preconceived celebrity notions on her sixth album, 1000 Forms of Fear.