FLOOD

Both brighter-eyed and harder-hearted, the LA quartet return with a third LP of full-bodied psych-shoegaze which settles deeply into Kenny Becker’s cataclysmic transitional life period.

The songwriter’s debut is carefree, sleazy, fundamentally arresting dance music—a multi-sensory circus serving to wallpaper the halls of dance-pop history with neon, acid-tinged nonsense.

Clashing with expectations, the rowdy Australian duo dive into an older, deeper, more refined sound with this EP that positions them as stronger musicians and storytellers.

Production from Kenny Beats heightens the LA trio’s signature gloominess on their third album of mournful 19th century gothic narratives and mirthful 1980s horror nostalgia.

Channeling Ziggy Stardust’s glam transcendence, Will Toledo resurrects the album as a grandiose narrative vehicle while marking his valiant stride into the rock canon.

The cult UK quintet find a sense of clarity in their IDM-pop sound with introspective, chromatic, moving pieces on their most intentional, polished production to date.

The infectious Boston trio’s sixth album adds some complexity to their signature jangle with darker, rougher textures, though its lyrics don’t always live up to the music’s maturity level.

Boasting lush electronic soundscapes and complex themes of modern dystopia, the Hull quartet’s third album feels more nuanced than their prior indie-rock discography.

Ahead of their reunion tour, the cult indie-pop band resurrects lost classics from the bittersweet era of nostalgia that encircled their eponymous 2009 debut.

Recorded direct-to-acetate over the summer at Jack White’s Nashville label HQ, the NYC post-punk institution’s new live LP offers listeners a spot at the barricade.

The Swedish quartet bare their teeth on their third EP as they tear through five songs about frustration and resistance, aided by grungy production from Alex Farrar.