With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Alan Sparhawk, With Trampled by Turtles
Far more mournful than his solo debut from last year, the former Low member’s collaboration with the titular bluegrass band is drenched in sorrow, absence, longing, and dark devastation.
Cola Boyy, Quit to Play Chess
Despite bristling with Matthew Urango’s familiar cotton-candied disco, the late songwriter and activist’s sophomore album also opens the floodgates to everything else he seemed capable of.
yeule, Evangelic Girl Is a Gun
The London-via-Singapore alt-pop songwriter continues to experiment on their fifth album, with the heaviest and weirdest moments also feeling the most authentic and energizing.
Madison Bloom
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Reviews
Neko Case, “Hell-On”
Neko Case’s commiserations with women are simultaneously understated and powerful.
June 11, 2018
Reviews
Stephen Malkmus & the Jicks, “Sparkle Hard”
“Sparkle Hard” possesses a little bit of everything Stephen Malkmus does well—but he doesn’t stop there.
May 22, 2018
Reviews
Mouse on Mars, “Dimensional People”
An incongruous mixture of songs—some affected, others exceptional.
April 19, 2018
Reviews
Titus Andronicus, “A Productive Cough”
The majority of “A Productive Cough” sounds cacophonous and free, as if fresh oxygen has been pumped into Patrick Stickles’s blood.
March 14, 2018
