With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Glare, Sunset Funeral
Transfixing from start to finish, the South Texas shoegazers’ debut is a dynamic, undulating audio portrait of the ups and downs of existence.

Perfume Genius, Glory
Backed by the incredible team he’s assembled over the years, Mike Hadreas’ seventh release is a folk album that remains as slippery, electrifying, and brilliantly unknowable as its lead single.

Gloin, All of your anger is actually shame (and I bet that makes you angry)
On their second album, the Toronto band taps into the fury of their post-punk forebears with a polished set of psychological insights that feel angry in all the right ways.
Michael Frank

The model-turned-actress-turned-musician talks unlocking endless possibilities ahead of the release of her second LP, Memoir of a Sparklemuffin.

Cast in the role of Chris Paul in FX’s new series about the Donald Sterling scandal, the prolific actor shares how portraying a living public figure differs from his past work.

Ahead of his new Flannery O’Connor biopic Wildcat, we spoke with the filmmaker about getting lost in acting roles, directing his daughter Maya, and the impermanence of legacies.

The director’s first solo venture written alongside his wife Tricia Cooke sees him working in lighter tones, though the film’s quirks don’t equate to prolonged success.

Reteaming with The Favourite co-writer Tony McNamara, the Greek filmmaker’s latest endeavor is a spectacular visual splendor rooted in obvious, high-society humor.

With his long-anticipated second feature “The Nest” seeing a release this weekend, the director invites us into his cozy Santa Monica home.