With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Bruce Springsteen, Tracks II: The Lost Albums
This new box breaks down seven well-framed sets of sessions spanning 1983 to 2018, essentially designed as full-album capsules of mood previously deemed unfit for canonization.

Gelli Haha, Switcheroo
The songwriter’s debut is carefree, sleazy, fundamentally arresting dance music—a multi-sensory circus serving to wallpaper the halls of dance-pop history with neon, acid-tinged nonsense.

Wavves, Spun
The LA band’s eighth LP eschews distortion in favor of a cleaner pop-punk sound that both spotlights Nathan Williams’ songwriting chops and dulls the project’s compelling eccentricities.
Michael Frank

The model-turned-actress-turned-musician talks unlocking endless possibilities ahead of the release of her second LP, Memoir of a Sparklemuffin.

Cast in the role of Chris Paul in FX’s new series about the Donald Sterling scandal, the prolific actor shares how portraying a living public figure differs from his past work.

Ahead of his new Flannery O’Connor biopic Wildcat, we spoke with the filmmaker about getting lost in acting roles, directing his daughter Maya, and the impermanence of legacies.

The director’s first solo venture written alongside his wife Tricia Cooke sees him working in lighter tones, though the film’s quirks don’t equate to prolonged success.

Reteaming with The Favourite co-writer Tony McNamara, the Greek filmmaker’s latest endeavor is a spectacular visual splendor rooted in obvious, high-society humor.

With his long-anticipated second feature “The Nest” seeing a release this weekend, the director invites us into his cozy Santa Monica home.