Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Julianna Barwick & Mary Lattimore, Tragic Magic
Pairing early modern harp and vintage analog synths, the duo cope with disaster by forging soothing atmospheric compositions fueled by their unique creative connection.
Westside Cowboy, So Much Country ’Till We Get There
The buzzy Manchester group’s new EP doubles down on affability with five tracks of straightforward indie rock coursing with charm and easy-going, edgeless quirks.
Xiu Xiu, Xiu Mutha Fuckin’ Xiu: Vol. 1
These covers capture the broad spectrum of artists who’ve inspired Jamie Stewart over the past 24 years—and prove that Xiu Xiu is able to even make Robyn sound unwaveringly dark.
Michael Frank
Josh Safdie’s film is a full-on star vehicle possessed with a verve that infiltrates the audience’s collective pulse and heart rate.
The cinematically inspired Brooklyn synth-pop trio share an eclectic list of blockbuster and independent favorites from the past 10 years.
The model-turned-actress-turned-musician talks unlocking endless possibilities ahead of the release of her second LP, Memoir of a Sparklemuffin.
Cast in the role of Chris Paul in FX’s new series about the Donald Sterling scandal, the prolific actor shares how portraying a living public figure differs from his past work.
Ahead of his new Flannery O’Connor biopic Wildcat, we spoke with the filmmaker about getting lost in acting roles, directing his daughter Maya, and the impermanence of legacies.
The director’s first solo venture written alongside his wife Tricia Cooke sees him working in lighter tones, though the film’s quirks don’t equate to prolonged success.
Reteaming with The Favourite co-writer Tony McNamara, the Greek filmmaker’s latest endeavor is a spectacular visual splendor rooted in obvious, high-society humor.
With his long-anticipated second feature “The Nest” seeing a release this weekend, the director invites us into his cozy Santa Monica home.
