Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kathryn Mohr, Carve
A product of the desolate environment in which it was made, the Bay Area experimentalist’s second album pairs bare-bones grunge with evocative field recordings.
Johnny Blue Skies & the Dark Clouds, Mutiny After Midnight
Capturing the perpetual boogie that makes his live show so impressive, Sturgill Simpson’s latest LP throws the throttle down, turns the choogle up, and stares the cold world dead in the eyes.
The Monochrome Set, Lotus Bridge
Poised, exotic, and engaging from start to finish, the English jangle-pop outfit’s unexpected delight of a 17th studio album is a magical soundtrack for this uncertain spring.
Michael Frank
Josh Safdie’s film is a full-on star vehicle possessed with a verve that infiltrates the audience’s collective pulse and heart rate.
The cinematically inspired Brooklyn synth-pop trio share an eclectic list of blockbuster and independent favorites from the past 10 years.
The model-turned-actress-turned-musician talks unlocking endless possibilities ahead of the release of her second LP, Memoir of a Sparklemuffin.
Cast in the role of Chris Paul in FX’s new series about the Donald Sterling scandal, the prolific actor shares how portraying a living public figure differs from his past work.
Ahead of his new Flannery O’Connor biopic Wildcat, we spoke with the filmmaker about getting lost in acting roles, directing his daughter Maya, and the impermanence of legacies.
The director’s first solo venture written alongside his wife Tricia Cooke sees him working in lighter tones, though the film’s quirks don’t equate to prolonged success.
Reteaming with The Favourite co-writer Tony McNamara, the Greek filmmaker’s latest endeavor is a spectacular visual splendor rooted in obvious, high-society humor.
With his long-anticipated second feature “The Nest” seeing a release this weekend, the director invites us into his cozy Santa Monica home.
