Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Julianna Barwick & Mary Lattimore, Tragic Magic
Pairing early modern harp and vintage analog synths, the duo cope with disaster by forging soothing atmospheric compositions fueled by their unique creative connection.
Westside Cowboy, So Much Country ’Till We Get There
The buzzy Manchester group’s new EP doubles down on affability with five tracks of straightforward indie rock coursing with charm and easy-going, edgeless quirks.
Xiu Xiu, Xiu Mutha Fuckin’ Xiu: Vol. 1
These covers capture the broad spectrum of artists who’ve inspired Jamie Stewart over the past 24 years—and prove that Xiu Xiu is able to even make Robyn sound unwaveringly dark.
Mike LeSuer
Katie Munshaw shares how friendships, isolation, and expectations for adult life shaped the Ontario group’s latest project, out now via Royal Mountain Records.
The Quebecois nu-disco trio’s latest record Comme dans un penthouse arrives September 22 via Lisbon Lux Records.
Created by Kramer, the video recycles footage from Jean Renoir’s 1928 film The Little Match Girl.
The horror-B-movie visual arrives with news of the San Francisco post-punks’ new album Jumbo, landing October 13 via Rocks in Your Head Records and Time Room Records.
The London-based musician’s new EP MSG is out this Friday via Transgressive Records.
“Disenchanted” arrives ahead of the Scottish punks’ fifth record on October 27 via Ernest Jenning Recording Co. + Wish Fulfillment Press.
The song will appear on their debut album Vs. the Worm, arriving August 25 via What’s for Breakfast? Records.
The single arrives ahead of Javelin, his first indie-folk release since 2015’s Carrie & Lowell.
The cowpunks return with their second album since reforming in 2020 with Bitter End of a Sweet Night arriving on October 27 via In the Red Records.
Messages to God, the Melbourne-based songwriter’s debut for Kill Rock Stars, is out September 15.
Lindsey Radice’s third LP Songies lands August 18.
Hellie previously produced and co-wrote songs on Phoenix’s 2019 release River.
The single follows Cathedral Bells’ announcement of a set of West Coast tour dates, and will appear on the upcoming album from Beach Vacation.
The not-quite-cover arrives with a video that contemplates the important question: Do vampires celebrate birthdays?
Harper Simon’s multimedia project also prepares for special events this weekend at Printed Matter’s 2023 LA Art Book Fair and Zebulon.
The Ventura punks’ new “Screeching Weasel worship” tune arrives ahead of their album When the Band Breaks Up Again, dropping September 8 via SideOneDummy.
It’s the final single landing ahead of the ever-mutating Detroit collective’s new album Perfect Savior.
The track will come packaged with Kurt Vile’s take on another song by the Seattle rockers on October 27 via Suicide Squeeze.
Marshall Gallagher cites Catherine Wheel, White Reaper, Deftones, and more as influences as he takes us track by track through the LA shoegazers’ third LP.
The Phoenix-based songwriter’s sophomore record somebody in hell loves you arrives September 15 via Rude Records.
