With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Sufjan Stevens, Carrie & Lowell [10th Anniversary Edition]
Padded out with a personal essay, family photos, and outtakes, this re-release of Stevens’ album-length eulogy permits yet another return to the 1980s Oregon of the artist’s memory.

Alan Sparhawk, With Trampled by Turtles
Far more mournful than his solo debut from last year, the former Low member’s collaboration with the titular bluegrass band is drenched in sorrow, absence, longing, and dark devastation.

Cola Boyy, Quit to Play Chess
Despite bristling with Matthew Urango’s familiar cotton-candied disco, the late songwriter and activist’s sophomore album also opens the floodgates to everything else he seemed capable of.
Mike LeSuer

Katie Munshaw shares how friendships, isolation, and expectations for adult life shaped the Ontario group’s latest project, out now via Royal Mountain Records.

The Quebecois nu-disco trio’s latest record Comme dans un penthouse arrives September 22 via Lisbon Lux Records.

Created by Kramer, the video recycles footage from Jean Renoir’s 1928 film The Little Match Girl.

The horror-B-movie visual arrives with news of the San Francisco post-punks’ new album Jumbo, landing October 13 via Rocks in Your Head Records and Time Room Records.

The London-based musician’s new EP MSG is out this Friday via Transgressive Records.

“Disenchanted” arrives ahead of the Scottish punks’ fifth record on October 27 via Ernest Jenning Recording Co. + Wish Fulfillment Press.

The song will appear on their debut album Vs. the Worm, arriving August 25 via What’s for Breakfast? Records.

The single arrives ahead of Javelin, his first indie-folk release since 2015’s Carrie & Lowell.

The cowpunks return with their second album since reforming in 2020 with Bitter End of a Sweet Night arriving on October 27 via In the Red Records.

Messages to God, the Melbourne-based songwriter’s debut for Kill Rock Stars, is out September 15.

Lindsey Radice’s third LP Songies lands August 18.

Hellie previously produced and co-wrote songs on Phoenix’s 2019 release River.

The single follows Cathedral Bells’ announcement of a set of West Coast tour dates, and will appear on the upcoming album from Beach Vacation.

The not-quite-cover arrives with a video that contemplates the important question: Do vampires celebrate birthdays?

Harper Simon’s multimedia project also prepares for special events this weekend at Printed Matter’s 2023 LA Art Book Fair and Zebulon.

The Ventura punks’ new “Screeching Weasel worship” tune arrives ahead of their album When the Band Breaks Up Again, dropping September 8 via SideOneDummy.

It’s the final single landing ahead of the ever-mutating Detroit collective’s new album Perfect Savior.

The track will come packaged with Kurt Vile’s take on another song by the Seattle rockers on October 27 via Suicide Squeeze.

Marshall Gallagher cites Catherine Wheel, White Reaper, Deftones, and more as influences as he takes us track by track through the LA shoegazers’ third LP.

The Phoenix-based songwriter’s sophomore record somebody in hell loves you arrives September 15 via Rude Records.