Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Morrissey, Make-Up Is a Lie
It isn’t always hard to trick ourselves into remembering Moz as he once was on this return-to-form solo LP as he matches mischievous observations with a winning brand of melancholy pop.
Bill Callahan, My Days of 58
Well-observed, a bit absurd, and wholly singular, this “hobo stew” permits each instrument and each musical idea to embrace Callahan’s discursive lyrical and structural style.
Flying Lotus, Big Mama
A hodgepodge of electronic textures, genres, and styles, the artist’s proper debut for his own Brainfeeder label feels improvisational despite its meticulous craftsmanship.
Mike LeSuer
Kevin Patrick Sullivan shares how everyone from Bladee to Milli Vanilli helped shape his beat-bolstered new LP.
An animated video for the single arrives ahead of the songwriter’s new LP Tender, which drops September 22 on Lex Records.
In addition to the full EP of the same name from CLAVVS’s Amber Renee and Graham Marsh dropping today, the duo share a video for the title track celebrating the waning days of summer.
Tori Zietsch’s sophomore album I Get Into Trouble lands October 13 via Partisan.
London- and Berlin-based musician Sarah Neumann will release her debut EP The Eye Against the Ashen Sky on November 3.
From Run Lola Run to Mamma Mia!, there is no disputing the goddess-ness of the films selected by Seattle’s most banned-from-Jeff-Bezo’s-Climate-Pledge-Arena supergroup.
Produced by The Lemon Twigs’ D’Addario brothers, Buy This Now! arrives October 13 via Curation Records.
Arriving with a comedic video, the track lands ahead of the Columbus-based songwriter’s new LP Nothing’s Gonna Stand in My Way Again.
Danish songwriter Nanna Øland Fabricius’ sixth LP Loop Soup arrives September 29 via her own imprint Tusk or Tooth.
Julia Kugel and Scott Montoya, the husband-and-wife duo behind the free Long Beach event, share a handful of tracks from the artists taking the stage this weekend.
The single was originally intended for an Italians Do It Better comp.
On nostalgia, bygone sub-subgenres, and, ultimately, the increasingly fallible state of music archiving.
Natalie Lew’s dream-pop EP Stop at Nothing arrives this Friday via Luminelle Recordings.
Brittany Campbell and Candace Quarrels’ debut album Iridescence will arrive later this year.
Katie Munshaw shares how friendships, isolation, and expectations for adult life shaped the Ontario group’s latest project, out now via Royal Mountain Records.
The Quebecois nu-disco trio’s latest record Comme dans un penthouse arrives September 22 via Lisbon Lux Records.
Created by Kramer, the video recycles footage from Jean Renoir’s 1928 film The Little Match Girl.
The horror-B-movie visual arrives with news of the San Francisco post-punks’ new album Jumbo, landing October 13 via Rocks in Your Head Records and Time Room Records.
The London-based musician’s new EP MSG is out this Friday via Transgressive Records.
“Disenchanted” arrives ahead of the Scottish punks’ fifth record on October 27 via Ernest Jenning Recording Co. + Wish Fulfillment Press.
