Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kacey Musgraves, Middle of Nowhere
Awash in twang and thick pedal steel, the country star’s seventh album explores the solitary no man’s land that exists between the ending of one relationship and the beginning of another.
Kneecap, Fenian
With bigger melodies and broader synth soundscapes, the rage-rave rap trio’s second LP takes an unexpected turn inward as they continue to take the politics of the world at large to task.
youbet, youbet
Penetratingly exact and proudly undefinable, Nick Llobet’s first album since expanding the project to a duo adds more definition to the sinewy, searching palette of their previous material.
Mike LeSuer
On the heels of their new Just a Dirtbag Christmas EP, the power-pop hitmakers share what they’ll be listening to this holiday season.
The track marks the NYC shoegaze group’s debut recording for Kanine Records.
The Brooklyn-based indie-rock collective’s fifth full-length, Arms, will arrive on February 16 via Better Company Records.
The Brooklyn group’s upcoming Spit EP arrives February 6 via Candlepin Records.
The track meanwhile looks ahead to 2024 when the Canadian neo-psych rockers will release their latest LP, Back Into the Dream.
Focused on goth and new wave bands, the event will return to Pasadena on May 11.
From CHAI and CHAII to JayWood and Jay Wood, here are all the sets of artists we struggled to differentiate in 2023.
Out now via Spinning Top Records, the Australian electropop trio’s first LP since their 2020 debut is a cathartic post-pandemic return to the club.
The new track from the Lake Street Dive co-founder arrives with an animated video that certainly doesn’t help us not think about a polar bear.
Cartwheel, the no-longer-Minnesota-based songwriter’s sophomore album with the band, is out now via Third Man Records.
The Albuquerque group embraces ’80s stadium pop and glam metal on the track, while its visual pays homage to the 1987 film Broadcast News.
Soccer Mommy
Presented by Ground Control Touring and Noise for Now, the event will take place January 20 in LA, NYC, Chicago, Nashville, and Philly.
Wrapping up after its third season this past fall, the HBO docuseries provided an odd source of comfort in the post-pandemic world.
Chaos Takes the Wheel and I Am a Passenger, the second LP from the San Jose punks, is out now via Tiny Engines.
With their new LP dropping next week via Track Number Records, Andy Schiaffino shares a handful of shoegaze tones and ambient textures that steered their own songs’ direction.
The latest release from the Toronto folk-rock collective lands February 23 via Orindal Records in the US and Gold Day Recordings in the UK.
crawl__space, spark__space, and shine__space are all out now via Epitaph Records.
The Angeleno-by-way-of-Singaporean musician’s latest release is out today via Nettwerk.
The Underachievers emcee will be teaming up with the Nepalese lo-fi producer for a full-length collaboration in 2024.
The new music project from Curtis Everett Pawley, one half of cult film podcast The Ion Pack, releases its debut EP I Would Do Anything for Love tomorrow.
