With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Sly & the Family Stone, The First Family: Live at Winchester Cathedral 1967
This unearthed 1967 live gig from Redwood City, California features raw, soulful R&B covers recorded with a roomful of memorable voices that audiences would soon grow to love.

Alex G, Headlights
Alex Giannascoli’s major-label debut earnestly embraces dated musical tropes only to turn them on their heads as they soundtrack explosions of messy emotional honesty.

Billie Marten, Dog Eared
The British indie-folk songwriter’s fifth album is aided by a full-band even in its most personal moments, as Marten reflects on indelible scenes from childhood as seen through adult eyes.
Mike LeSuer

Recorded as a trio with drummer Luke Titus and bassist Pera Krstajic at LA’s Moroccan Lounge, the full LP drops May 10 via Stones Throw.

It’s the second single from the Spokane-based shredder’s sophomore album, As It Was, As We Were.

Linnea Siggelkow shares how her sophomore record documents her search for a sense of home.

Officially dropping tomorrow, it marks the debut release from the Chicago-based duo comprised of members of Yautja, Coliseum, and Immortal Bird.

Inspired by Bill Withers and The Beatles, the Austin-based songwriter’s new track is the latest taste of his Easy Eye Sound debut Flying Away.

The LA-based songwriter shares a loose single ahead of a handful of live dates in Texas and California, including Big Sur’s Hypnic Festival.

Josh Shaw’s new album Basketball Camp will arrive June 14 via The Record Machine.

Leaning into their lyrical strength of expressing life as we know it as a visceral horror story, the sludge-rockers’ fourth album is equally notable for its unexpected instrumental flourishes.

Landing ahead of their upcoming tour with Airiel and Blushing, the rework leans into the ambient direction of the Montreal dream-pop duo’s latest LP.

Melkbelly vocalist Miranda Winters shares 17 tracks that helped shape her debut solo album, which arrives this week via Exploding in Sound.

Tilted Planet, the debut project from Warehouse’s Genesis Edenfield and Ben Jackson, will be out May 17 via Danger Collective.

It’s the first track from the Alabama-based songwriter’s newly announced EP, as well as her first single released through new label Winspear.

The NYC-via-NC rapper breaks down each of these 10 tracks unified by a sense of emotional catharsis.

The Phoenix shoegazers will be playing shows out West with Interpol, DIIV, and SASAMI this summer.

The second album from the Seattle-based collective fronted by Natasha El-Sergany is officially out tomorrow via Doom Trip Records.

The DC post-punks’ new record is out today via Topshelf Records.

The two songwriters have recently been collaborating on songs for Spirit’s debut EP coin toss.

It’s the first single from the Portland-based songwriter’s newly announced Roseway EP, arriving June 14 via Arrowhawk Records.

The Dublin quartet fusing techno and industrial rock are gearing up for summer festival season.

Released in celebration of Titanic Rising’s fifth anniversary earlier this month, the revived visual originally began filming in 2018.