Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Madonna, Confessions II
Reteaming with producer Stuart Price for a sequel to her 2005 nu-disco LP, the pop star capitalizes on the velvet cordiality of her vocals with a sparkling new brand of arrangements.
Smirk, Speculative Fiction
On his most purposeful and driven release yet, Nick Vicario teams up with members of Hotline TNT, Poison Ruin, and Ceremony for a mid-tempo homage to ’80s horror-punk.
Pixies, Complete B-Sides 1988-97 [Reissue]
Neatly charting the band’s evolution from noise militants to pop eccentrics, the first-ever vinyl release of this collection reminds us that Pixies’ trash was often purer than their peers’ gold.
Mike LeSuer
Paying homage to her late aunt, the new single precedes an album of the same name set to arrive later this year via Future Gods and the artist’s own Silver Lab(s).
The collaborative new track from Butch Vig’s band features members of Silversun Pickups and Eagles of Death Metal, as well as vocals from Bradley Hanan Carter.
The Philadelphia-based dream-pop group shares another new single ahead of their second album Double Your Relaxation, which arrives May 17 via Tiny Engines.
Recorded as a trio with drummer Luke Titus and bassist Pera Krstajic at LA’s Moroccan Lounge, the full LP drops May 10 via Stones Throw.
It’s the second single from the Spokane-based shredder’s sophomore album, As It Was, As We Were.
Linnea Siggelkow shares how her sophomore record documents her search for a sense of home.
Officially dropping tomorrow, it marks the debut release from the Chicago-based duo comprised of members of Yautja, Coliseum, and Immortal Bird.
Inspired by Bill Withers and The Beatles, the Austin-based songwriter’s new track is the latest taste of his Easy Eye Sound debut Flying Away.
The LA-based songwriter shares a loose single ahead of a handful of live dates in Texas and California, including Big Sur’s Hypnic Festival.
Josh Shaw’s new album Basketball Camp will arrive June 14 via The Record Machine.
Leaning into their lyrical strength of expressing life as we know it as a visceral horror story, the sludge-rockers’ fourth album is equally notable for its unexpected instrumental flourishes.
Landing ahead of their upcoming tour with Airiel and Blushing, the rework leans into the ambient direction of the Montreal dream-pop duo’s latest LP.
Melkbelly vocalist Miranda Winters shares 17 tracks that helped shape her debut solo album, which arrives this week via Exploding in Sound.
Tilted Planet, the debut project from Warehouse’s Genesis Edenfield and Ben Jackson, will be out May 17 via Danger Collective.
It’s the first track from the Alabama-based songwriter’s newly announced EP, as well as her first single released through new label Winspear.
The NYC-via-NC rapper breaks down each of these 10 tracks unified by a sense of emotional catharsis.
The Phoenix shoegazers will be playing shows out West with Interpol, DIIV, and SASAMI this summer.
The second album from the Seattle-based collective fronted by Natasha El-Sergany is officially out tomorrow via Doom Trip Records.
The DC post-punks’ new record is out today via Topshelf Records.
The two songwriters have recently been collaborating on songs for Spirit’s debut EP coin toss.
