Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Julianna Barwick & Mary Lattimore, Tragic Magic
Pairing early modern harp and vintage analog synths, the duo cope with disaster by forging soothing atmospheric compositions fueled by their unique creative connection.
Westside Cowboy, So Much Country ’Till We Get There
The buzzy Manchester group’s new EP doubles down on affability with five tracks of straightforward indie rock coursing with charm and easy-going, edgeless quirks.
Xiu Xiu, Xiu Mutha Fuckin’ Xiu: Vol. 1
These covers capture the broad spectrum of artists who’ve inspired Jamie Stewart over the past 24 years—and prove that Xiu Xiu is able to even make Robyn sound unwaveringly dark.
Mike LeSuer
The Nashville indie-punks also share an early stream of the release, which officially drops tomorrow.
Paying homage to her late aunt, the new single precedes an album of the same name set to arrive later this year via Future Gods and the artist’s own Silver Lab(s).
The collaborative new track from Butch Vig’s band features members of Silversun Pickups and Eagles of Death Metal, as well as vocals from Bradley Hanan Carter.
The Philadelphia-based dream-pop group shares another new single ahead of their second album Double Your Relaxation, which arrives May 17 via Tiny Engines.
Recorded as a trio with drummer Luke Titus and bassist Pera Krstajic at LA’s Moroccan Lounge, the full LP drops May 10 via Stones Throw.
It’s the second single from the Spokane-based shredder’s sophomore album, As It Was, As We Were.
Linnea Siggelkow shares how her sophomore record documents her search for a sense of home.
Officially dropping tomorrow, it marks the debut release from the Chicago-based duo comprised of members of Yautja, Coliseum, and Immortal Bird.
Inspired by Bill Withers and The Beatles, the Austin-based songwriter’s new track is the latest taste of his Easy Eye Sound debut Flying Away.
The LA-based songwriter shares a loose single ahead of a handful of live dates in Texas and California, including Big Sur’s Hypnic Festival.
Josh Shaw’s new album Basketball Camp will arrive June 14 via The Record Machine.
Leaning into their lyrical strength of expressing life as we know it as a visceral horror story, the sludge-rockers’ fourth album is equally notable for its unexpected instrumental flourishes.
Landing ahead of their upcoming tour with Airiel and Blushing, the rework leans into the ambient direction of the Montreal dream-pop duo’s latest LP.
Melkbelly vocalist Miranda Winters shares 17 tracks that helped shape her debut solo album, which arrives this week via Exploding in Sound.
Tilted Planet, the debut project from Warehouse’s Genesis Edenfield and Ben Jackson, will be out May 17 via Danger Collective.
It’s the first track from the Alabama-based songwriter’s newly announced EP, as well as her first single released through new label Winspear.
The NYC-via-NC rapper breaks down each of these 10 tracks unified by a sense of emotional catharsis.
The Phoenix shoegazers will be playing shows out West with Interpol, DIIV, and SASAMI this summer.
The second album from the Seattle-based collective fronted by Natasha El-Sergany is officially out tomorrow via Doom Trip Records.
The DC post-punks’ new record is out today via Topshelf Records.
