With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Bob Mould, Here We Go Crazy
Explicitly pitched as a response to the unrest of early 2025, the former Hüsker Dü leader’s first album in five years continues to confidently summon instant-earworm hooks and visceral thrills.

Vundabar, Surgery and Pleasure
The infectious Boston trio’s sixth album adds some complexity to their signature jangle with darker, rougher textures, though its lyrics don’t always live up to the music’s maturity level.

Alabaster DePlume, A Blade Because a Blade Is Whole
Informed by the dualities of harm and healing, the English saxophonist and poet weaves a tapestry of sounds—spiritual jazz, folk, classical, and beyond—into a potent missive of grace.
Mike LeSuer

Following her 2021 EP Tether, the Dallas-based gothic-rock songwriter’s debut LP officially drops tomorrow.

The Oakland-based synth-punk ensemble’s second album Pass the Loofah will arrive on October 25 via Trouble in Mind.

From dance and film to superstition and the uncanny, the Austin-based quartet share the ideas that fueled their new dance-punk LP.

The Boston dream-pop collective’s latest album A Time for Everything arrives September 13 via Better Company Records.

Dan Knishkowy reveals that his new album of the same name will arrive September 27 via Ruination Records.

Retitled “Out in the Country,” the track arrives with a visual of Rose and Video Age’s Ross Farbe performing live in Nashville.

The LP released under the moniker Michael & the Mighty Midnight Revival is out now as a free download.

Waiting on Time to Fly, John Klein’s third album under the slacker-folk moniker, is out November 15 via Born Losers.

Dylan Balliett’s follow-up to last August’s Bury the Dead arrives October 4.

The Seattle-based shoegazers are also sharing that their debut album I Wish I Was a Rat will be out October 18 via Danger Collective.

High Roller, the debut solo record from the Finom co-leader, arrives August 30 via Ruination Records.

Nigerian musician and visual artist Zina Saro-Wiwa sees apocalypse as a celebration of the end of a cycle in the video for the new track.

The LA-based trio shares how Duster, SASAMI, SOPHIE, and more influenced the dream-pop sound of their debut EP.

Out September 5, the self-released project notably features a cover of Deftones’ “Change (In the House of Flies)” recorded with her father.

The latest from the Chicago-based songwriter features backing vocals from She Keeps Bees’ Jess Larrabee.

It’s the third track to be released ahead of the Halifax-based group’s fifth album, out October 18 via Paradise of Bachelors and Paper Bag Records.

With Yoni Wolf’s seventh album under the moniker landing this week, we’re going deep on the guest spots, remixes, covers, and other rarities that have padded out his 25-year career.

The Austin noise-rap trio share an appropriately chaotic visual for their latest single.

The Seattle rockers announce that their new LP Move Too Slow will arrive September 6 via Sunday Drive Records as they share two new singles.

The new recording of the track originally from the London post-punks’ 2005 debut will appear on their new retrospective boxset And Yes, This Is My Singing Voice!.