Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kathryn Mohr, Carve
A product of the desolate environment in which it was made, the Bay Area experimentalist’s second album pairs bare-bones grunge with evocative field recordings.
Johnny Blue Skies & the Dark Clouds, Mutiny After Midnight
Capturing the perpetual boogie that makes his live show so impressive, Sturgill Simpson’s latest LP throws the throttle down, turns the choogle up, and stares the cold world dead in the eyes.
The Monochrome Set, Lotus Bridge
Poised, exotic, and engaging from start to finish, the English jangle-pop outfit’s unexpected delight of a 17th studio album is a magical soundtrack for this uncertain spring.
Mike LeSuer
The latest album from the project fronted by Avery Mandeville, Now That’s What I Call Little Hag, is out August 23 on Bar/None Records.
The Indianapolis emcee’s new album NEPHEW will arrive September 20 via Joyful Noise offshoot Church of Noise Records.
Surf Curse’s Nick Rattigan will release his latest solo record, East My Love, on October 11 via Secretly Canadian.
The Montreal quartet’s debut album Some Kind of Heaven arrives September 6 via Mint Records.
The Brooklyn trio’s new grungegaze LP Glassy star arrives October 18 via Mtn Laurel Recordings.
With the soundtrack out now on vinyl, the composer shares how each recording aims to reflect the movement on stage.
The Britney-meets-NIN track arrives with a Blair Witch-meets-Midsommar visual ahead of the songwriter’s latest album, out October 4 via Get Better Records.
Following her 2021 EP Tether, the Dallas-based gothic-rock songwriter’s debut LP officially drops tomorrow.
The Oakland-based synth-punk ensemble’s second album Pass the Loofah will arrive on October 25 via Trouble in Mind.
From dance and film to superstition and the uncanny, the Austin-based quartet share the ideas that fueled their new dance-punk LP.
The Boston dream-pop collective’s latest album A Time for Everything arrives September 13 via Better Company Records.
Dan Knishkowy reveals that his new album of the same name will arrive September 27 via Ruination Records.
Retitled “Out in the Country,” the track arrives with a visual of Rose and Video Age’s Ross Farbe performing live in Nashville.
The LP released under the moniker Michael & the Mighty Midnight Revival is out now as a free download.
Waiting on Time to Fly, John Klein’s third album under the slacker-folk moniker, is out November 15 via Born Losers.
Dylan Balliett’s follow-up to last August’s Bury the Dead arrives October 4.
The Seattle-based shoegazers are also sharing that their debut album I Wish I Was a Rat will be out October 18 via Danger Collective.
High Roller, the debut solo record from the Finom co-leader, arrives August 30 via Ruination Records.
Nigerian musician and visual artist Zina Saro-Wiwa sees apocalypse as a celebration of the end of a cycle in the video for the new track.
The LA-based trio shares how Duster, SASAMI, SOPHIE, and more influenced the dream-pop sound of their debut EP.
