With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Bob Mould, Here We Go Crazy
Explicitly pitched as a response to the unrest of early 2025, the former Hüsker Dü leader’s first album in five years continues to confidently summon instant-earworm hooks and visceral thrills.

Vundabar, Surgery and Pleasure
The infectious Boston trio’s sixth album adds some complexity to their signature jangle with darker, rougher textures, though its lyrics don’t always live up to the music’s maturity level.

Alabaster DePlume, A Blade Because a Blade Is Whole
Informed by the dualities of harm and healing, the English saxophonist and poet weaves a tapestry of sounds—spiritual jazz, folk, classical, and beyond—into a potent missive of grace.
Mike LeSuer

K Nkanza shares how French house music, British dance-punk, and whatever you might classify Mew as helped shape their latest LP.

A video for the latest single from the LA collective’s new album Free Energy also includes the sax-heavy preceding track, “Opaline Bubbletear.”

The project featuring members of The Wonder Years and Mannequin Pussy will release their sophomore EP Positions of Power on September 3 via Born Losers.

Yako and Agata also break the release down track by track to give us a better sense of how all nine recordings came together.

The musician/actor’s fourth album—originally released back in April—will arrive with nearly twice as many tracks on September 13.

With their newly extended lineup, the industrial-metal group shares their newly extended pool of inspiration for their fifth record.

The LA-based songwriter’s second album, La Mer, is out September 6 via Innovative Leisure.

The Atlanta-based pop-punk group’s second album Better Luck Next Time lands September 13 via SideOneDummy.

The Grand Rapids–based duo’s debut album Low Low arrives next Friday via B3SCI Records.

“Die for Me” is the first single from Dawson’s first full-length since 2022’s CHAOS NOW*.

Following the release of her first single of 2024, the songwriter and visual artist shares a collection of “songs that send her somewhere else.”

The Seattle trio’s debut EP Pedigree Pig will be released on September 20.

Delicate Steve Sings, guitarist Steve Marion’s new record of instrumental covers and original compositions, is out this Friday via ANTI-.

The latest album from the project fronted by Avery Mandeville, Now That’s What I Call Little Hag, is out August 23 on Bar/None Records.

The Indianapolis emcee’s new album NEPHEW will arrive September 20 via Joyful Noise offshoot Church of Noise Records.

Surf Curse’s Nick Rattigan will release his latest solo record, East My Love, on October 11 via Secretly Canadian.

The Montreal quartet’s debut album Some Kind of Heaven arrives September 6 via Mint Records.

The Brooklyn trio’s new grungegaze LP Glassy star arrives October 18 via Mtn Laurel Recordings.

With the soundtrack out now on vinyl, the composer shares how each recording aims to reflect the movement on stage.

The Britney-meets-NIN track arrives with a Blair Witch-meets-Midsommar visual ahead of the songwriter’s latest album, out October 4 via Get Better Records.