Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Westside Cowboy, So Much Country ’Till We Get There
The buzzy Manchester group’s new EP doubles down on affability with five tracks of straightforward indie rock coursing with charm and easy-going, edgeless quirks.
Xiu Xiu, Xiu Mutha Fuckin’ Xiu: Vol. 1
These covers capture the broad spectrum of artists who’ve inspired Jamie Stewart over the past 24 years—and prove that Xiu Xiu is able to even make Robyn sound unwaveringly dark.
The Cribs, Selling a Vibe
With the help of producer Patrick Wimberly, the Yorkshire post-punk revivalists both open wide and tighten up their taut instrumental skills and melody-making on their ninth album.
Mike LeSuer
The Savannah-based rockers recently followed up their self-titled debut album with a Steve Albini–produced EP of the same title.
Before releasing their sophomore album this Friday, the London trio shares how Warpaint, Scott Walker, Destiny’s Child, and more helped shape their vision.
Six years after disbanding, the NYC noise-rockers reunite to discuss their newly reissued debut album Eighteen Hours of Static, community, and their unique legacy.
The new single featuring The Head and the Heart’s Jonathan Russell lands ahead of the band’s guest-heavy new album titled Winged Horse, which drops in January.
Former NFL player Antone Exum Jr. will release his new album hole on October 25, preceded by the sparse lead single.
Chicago-based songwriter Kristyn Chapman will release her introductory EP Morpho Season on November 15 via Hit the North Records.
The duo of Heather Goldin and Emma Jenney will return in October with Girl Cried Wolf, their first full-length in nearly a decade.
With the the London dance-punk group’s debut album out now, keyboardist Chris Hughes offer up some TMI commentary on what music gets their tails wagging, so to speak.
The Essex duo’s debut album What a Life arrives this Friday via the Fat Wreck imprint Bottles to the Ground.
Dave Benton’s fourth solo album Into the Burning Blue arrives September 27 via Lame-O Records.
The Toronto noise-rock group’s self-titled debut album lands October 1 via Cooked Raw.
Before returning with their first album in eight years, the PA post-hardcore band catches us up to date on what they’ve been listening to for inspiration.
The songwriter’s debut full-length The Academy will be released on September 20 via Winspear.
The single arrives with the news of the group’s debut LP I’M SORRY I DIDN’T BITE MY TONGUE, out October 25 via Share It Music.
The Chicago-via-Portland group shares how their latest EP of gothic post-punk was actually fueled by Jamaican dancehall greats.
It’s the weirdly heartwarming title track from the post-hardcore group’s doomy fifth album, which arrives next Friday via Exploding in Sound.
Vancouver-based songwriter Kylie Van Slyke reveals that the track will appear on her sophomore record Crash Test Plane, arriving November 15 via Royal Mountain.
Joe Stevens shares how Steve Reich and NYC’s Natural History Museum helped shape the sound of the band’s fourth album, out now via Topshelf Records.
The ever-adventurous neo-psych band shares how Chet Baker, Alice Coltrane, Tchaikovsky, and more helped shape their latest release, out this week via Bella Union.
Halifax-based songwriter Graham Ereaux introduces us to the cozy world of his forthcoming Heart Shaped Rock LP, arriving October 4 via Paper Bag Records.
