Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Ella Langley, Dandelion
The pop-country songwriter understands the human weight of the American South’s emotionally rich tableau of high-speed heartbreak and low-light bars, as demonstrated on a resilient second album.
Sugar Horse, Not a Sound in Heaven
On their cleanest-sounding record yet, the doomy Bristol band’s idea of dance music feels perfectly suitable for the turbulent year 2026 has already proven to be.
Lime Garden, Maybe Not Tonight
The cocktail of frustration, insecurity, and lust that courses through the Brighton quartet’s buzzing and adventurous second album mirrors the trajectory of an energetic night out.
Mike LeSuer
The project founded by emcees Oreo Jones and Sirius Blvck and producer Sedcairn are dropping their sophomore LP this week via Joyful Noise.
The single arrives ahead of the latest LP from former Flaming Lips member Jake Ingalls and Eric Martin, Lunar Manor.
The Austin-based noise-rock group shares their second single since signing with TODO Records following the release of last year’s self-titled debut.
The single announces the trio’s third album Feels Like Hell, out October 10 via Don Giovanni.
It’s the title track from the LA-based songwriter’s first LP since 2019’s Pity Boy, out this Friday via Get Better Records.
The Michigan gloom-and-doomgazers’ third LP expands the already-vast scope of their songs to incorporate elements that almost feel transparently autobiographical.
Aryan Ashtiani shares how eBay artifacts and vintage cars (well, old cars) inspired his vision on his newly released second album.
The Chicago-based musicians met up with Semones and her band for the first time to perform the track they’re featured on from the duo’s new album Horizon.
Australian producer Teneil Throssell shares a few songs by queer artists in the electronic/dance/DJ space she’s had on repeat over the past month.
Inspired by Jonathan Ames’ novel, the track appears on the songwriter’s upcoming collab-heavy LP Before the Future.
The multifaceted musician shares how his latest chapter was inspired by the patient sounds of Radiohead, Sigur Rós, Feist, and more.
Arriving with a camcorder-shot visual, the track lands ahead of the Brooklyn-based songwriter’s new LP We Were Bodies Underwater.
The Philly shoegazers’ new LP of the same name will arrive on July 25 via Born Losers Records.
Russell Marsden shares which songs inspired the writing on his band’s first three albums, all of which are getting re-released together this week in a brand new box set.
The new track introduces the trio’s Lemon Twigs–produced sophomore album Playin’ Dumb, out September 5.
Austin-based duo Philip Lupton and Truett Heintzelman will release their new album Heat of July on September 19 via ATO Records.
The post-punk quartet also announces that their sophomore album of the same name will arrive on August 29 via Sacred Bones.
The Chicago duo of Bridget Stiebris and Haley Blomquist Waller will release their debut album Chit Chat on August 1.
A very candid Gareth Liddiard shares how neurosis and delusion helped to define the Australian collective’s fourth LP, out now via Fire Records.
Former Whiskey Shivers member James Bookert also shares a live performance video of the track from Emigrant Lake in Oregon.
