Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Bleachers, Everyone for Ten Minutes
The bigness that Jack Antonoff holds on his band’s latest album is dedicated to the human spirit and the hope of something better—and rockier—for our future.
Lowertown, Ugly Duckling Union
The NYC duo return to their DIY roots on their creatively unbridled second LP, turning a highly unusual concept into something rather heartfelt and wonkily majestic.
Hammock, The Second Coming Was a Moonrise
The Nashville veterans blend the understated melancholia of dream pop with the more dramatic scale of post-rock on their latest album with a nice push-and-pull effect.
Mike LeSuer
The Seattle-based songwriter’s second album, I Hope We Can Still Be Friends, will arrive on August 22 via Saddle Creek.
Former It Looks Sad. member Lamont Brown will self-release his second LP on August 22.
Former Feeble Little Horse member Ryan Walchonski enlisted members of Snail Mail and Tosser for these nine tracks, out now.
The single arrives ahead of the rapper’s NYC dates with Tyler, the Creator next week at Madison Square Garden and Barclays Center.
Inspired by Aaron Bushnell and the Palestinian liberation movement, the track lands ahead of the artist’s third album, Inertia, out September 5 via XX Records.
The band’s cover of Johnny Cash’s “God’s Gonna Cut You Down” was used in a border patrol propaganda video posted to Instagram earlier this week.
The project founded by emcees Oreo Jones and Sirius Blvck and producer Sedcairn are dropping their sophomore LP this week via Joyful Noise.
The single arrives ahead of the latest LP from former Flaming Lips member Jake Ingalls and Eric Martin, Lunar Manor.
The Austin-based noise-rock group shares their second single since signing with TODO Records following the release of last year’s self-titled debut.
The single announces the trio’s third album Feels Like Hell, out October 10 via Don Giovanni.
It’s the title track from the LA-based songwriter’s first LP since 2019’s Pity Boy, out this Friday via Get Better Records.
The Michigan gloom-and-doomgazers’ third LP expands the already-vast scope of their songs to incorporate elements that almost feel transparently autobiographical.
Aryan Ashtiani shares how eBay artifacts and vintage cars (well, old cars) inspired his vision on his newly released second album.
The Chicago-based musicians met up with Semones and her band for the first time to perform the track they’re featured on from the duo’s new album Horizon.
Australian producer Teneil Throssell shares a few songs by queer artists in the electronic/dance/DJ space she’s had on repeat over the past month.
Inspired by Jonathan Ames’ novel, the track appears on the songwriter’s upcoming collab-heavy LP Before the Future.
The multifaceted musician shares how his latest chapter was inspired by the patient sounds of Radiohead, Sigur Rós, Feist, and more.
Arriving with a camcorder-shot visual, the track lands ahead of the Brooklyn-based songwriter’s new LP We Were Bodies Underwater.
The Philly shoegazers’ new LP of the same name will arrive on July 25 via Born Losers Records.
Russell Marsden shares which songs inspired the writing on his band’s first three albums, all of which are getting re-released together this week in a brand new box set.
