Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Morrissey, Make-Up Is a Lie
It isn’t always hard to trick ourselves into remembering Moz as he once was on this return-to-form solo LP as he matches mischievous observations with a winning brand of melancholy pop.
Bill Callahan, My Days of 58
Well-observed, a bit absurd, and wholly singular, this “hobo stew” permits each instrument and each musical idea to embrace Callahan’s discursive lyrical and structural style.
Flying Lotus, Big Mama
A hodgepodge of electronic textures, genres, and styles, the artist’s proper debut for his own Brainfeeder label feels improvisational despite its meticulous craftsmanship.
Mike LeSuer
The rapper hops on a new version of the duo’s The Real Work track before the duo heads out on tour with Algiers.
Coast 2 Coast, the duo’s first album for Stones Throw, will feature members of Stereolab, Unknown Mortal Orchestra, Neon Indian, and more.
The single precedes the London-based group’s upcoming North American tour kicking off at SXSW.
The electropop songwriter talks whittling down a vast array of musical influences and emotions into her debut solo album, Galaxia de Emociones.
Dark Fire Heresy, the debut album from the LA-based shoegaze collective, arrives April 28.
Following a string of EPs the duo’s debut album Music for the Future drops this Friday via Run for Cover.
Producer/songwriter Marius Elfstedt’s new project is out today via 777 Music.
@RILEYSMITHPHOTO
Like its predecessor “We’re in It Together,” the new track came together with the help of a Lowrey Genie organ he stumbled upon at an Airbnb.
The debut full-length from the industrial noise rockers is consistently surprising as it bridges the chasm between droning no wave and free-for-all dance music.
The LA-via-Chicago songwriter’s first album in eight years will arrive June 9 on Carpark Records.
The track arrives with the news of the LA-based songwriter’s signing to Kill Rock Stars.
Eva Liu’s debut album Rotten Bun for an Eggless Century arrives this Friday via Father/Daughter Records.
Formerly an Apple Music Exclusive, the track is now available everywhere following the songwriter’s 2022 LP CHAOS NOW*.
The West Coast punks revealed that the single will appear on a new EP titled That’s Life, which is set for release on March 17.
The London-based songwriter shares 15 tracks by friends and collaborators who inspired her to pursue her own sound on the new LP.
Kedr Livanskiy and Flaty’s collaborative debut Kosogor is out March 17 via 2MR.
The trap-infused song teases her forthcoming debut album Galaxia de Emociones, arriving March 3 via ZZK Records.
The D’Addario brothers announce their fourth LP Everything Harmony will arrive May 5 via Captured Tracks.
The jang-psych revivalists will release their debut EP Hallucinate Me this Friday.
The Tomorrow Kings emcee and underground producer team up with DJ Presyce on the first cut from ArtSpace, out April 21.
