Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Flea, Honora
While the Red Hot Chili Peppers bassist’s collaboration-heavy foray into jazz occasionally errs on the side of pensive, it’s never anything less than heartfelt.
Robyn, Sexistential
The Stockholm-based electropop auteur’s ode to motherhood falls right in line with her always-mature, somewhat-confrontational manner of making desire-driven dance pop.
Holy Fuck, Event Beat
The Canadian band’s sixth collection of percussion-driven, electronically augmented art-rock walks a fascinating tightrope between hard-hitting noise and grooving synth-funk.
Mike LeSuer
Domino, Blue Broderick’s follow up to last year’s Four Wheels and the Truth, lands August 18 via Bar/None.
The second single from BROODS’s Georgia Nott under the solo moniker arrives ahead of her debut EP Fish Bird Baby Boy, out October 6 via Luminelle Recordings.
Lutalo Jones’ new EP AGAIN is set to arrive August 25 via Winspear in the midst of touring alongside Katy Kirby and Claud.
Following their 2017 collaboration “Funk That,” the veteran producer and nu-disco duo reteamed for a cut on Nickodemus’ recent LP Soul & Science.
After sharing a dispatch from the studio last week, the songwriter has since revealed that new LP The Land Is Inhospitable and So Are We will arrive September 15 via Dead Oceans.
Denzel Curry
A shortened version of the track was released last week with an Omar Jones–directed visual.
The LA post-punks’ latest record Witness Marks arrives September 22 via God? Records, Ty Segall’s Drag City imprint.
The Austin/OKC-based noise rockers’ sophomore album (dream dump) will arrive September 22 via Born Yesterday Records.
No More Blue Skies, Andrya Ambro’s third album under the no-nonsense no-wave moniker, is out October 20 via No Gold.
The new collection of folk-rock “self-help hymns” arrives August 25 via Orindal Records.
Co-directed by her husband Ron Gallo, the visual arrives ahead of Chiara D’Anzieri’s first English-language LP Imported.
The title track from the guest-heavy Los Angeles arrives today with LCD Soundsystem’s James Murphy on vocals.
History Books is out October 27 via the band’s own Thirty Tigers imprint Rich Mahogany Recordings.
Before taking the stage in San Diego the weekend of August 5, Sabrina Teitelbaum shares 11 tracks she’s been jamming on tour.
Nicole Rodriguez shares an unreleased track ahead of upcoming live dates with Miss Grit, A.O. Gerber, and Kacy & Clayton.
And That’s Why Dolphins Lost Their Legs, Nick Thorburn’s ninth album with the project, is out August 25.
The NYC indie-rock troupe’s EP Sundress Songs drops September 22.
The Memphis-based songwriter’s new EP Loose Screw will arrive August 11.
“Bioluminescence” arrives ahead of the new LP, dropping some time this fall via Mom+Pop Music.
The track is the eighth monthly release from Gabby Sword, Gabby Smith’s second album under the new moniker arriving in December.
