Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Harry Styles, Kiss All the Time. Disco, Occasionally.
The sequel to the 2022 Album of the Year GRAMMY winner is another radical genre shape-shift for a pop star who refuses to settle for just another EDM album.
Scout Gillett, Tough Touch
Expanding her palette with grungy new influences, the LA-via-Kansas-City songwriter’s second album is often higher-octane while retaining her debut’s emotional core.
Mirah, Dedication
Gently playful with a fire burning underneath, the artist’s first record in seven years signifies her devotion to the craft of making music, whether the light in her career is burning bright or dim.
Mike LeSuer
Following last year’s Connection EP, Allyson Camitta’s latest track was mixed by Fcukers’ co-producer Ivan Berko.
The Oklahoma chamber-folk band are gearing up to release their fifth album Volume V on October 10 via PIAS.
The Seattle-based songwriter’s second album, I Hope We Can Still Be Friends, will arrive on August 22 via Saddle Creek.
Former It Looks Sad. member Lamont Brown will self-release his second LP on August 22.
Former Feeble Little Horse member Ryan Walchonski enlisted members of Snail Mail and Tosser for these nine tracks, out now.
The single arrives ahead of the rapper’s NYC dates with Tyler, the Creator next week at Madison Square Garden and Barclays Center.
Inspired by Aaron Bushnell and the Palestinian liberation movement, the track lands ahead of the artist’s third album, Inertia, out September 5 via XX Records.
The band’s cover of Johnny Cash’s “God’s Gonna Cut You Down” was used in a border patrol propaganda video posted to Instagram earlier this week.
The project founded by emcees Oreo Jones and Sirius Blvck and producer Sedcairn are dropping their sophomore LP this week via Joyful Noise.
The single arrives ahead of the latest LP from former Flaming Lips member Jake Ingalls and Eric Martin, Lunar Manor.
The Austin-based noise-rock group shares their second single since signing with TODO Records following the release of last year’s self-titled debut.
The single announces the trio’s third album Feels Like Hell, out October 10 via Don Giovanni.
It’s the title track from the LA-based songwriter’s first LP since 2019’s Pity Boy, out this Friday via Get Better Records.
The Michigan gloom-and-doomgazers’ third LP expands the already-vast scope of their songs to incorporate elements that almost feel transparently autobiographical.
Aryan Ashtiani shares how eBay artifacts and vintage cars (well, old cars) inspired his vision on his newly released second album.
The Chicago-based musicians met up with Semones and her band for the first time to perform the track they’re featured on from the duo’s new album Horizon.
Australian producer Teneil Throssell shares a few songs by queer artists in the electronic/dance/DJ space she’s had on repeat over the past month.
Inspired by Jonathan Ames’ novel, the track appears on the songwriter’s upcoming collab-heavy LP Before the Future.
The multifaceted musician shares how his latest chapter was inspired by the patient sounds of Radiohead, Sigur Rós, Feist, and more.
Arriving with a camcorder-shot visual, the track lands ahead of the Brooklyn-based songwriter’s new LP We Were Bodies Underwater.
