Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Smirk, Speculative Fiction
On his most purposeful and driven release yet, Nick Vicario teams up with members of Hotline TNT, Poison Ruin, and Ceremony for a mid-tempo homage to ’80s horror-punk.
Pixies, Complete B-Sides 1988-97 [Reissue]
Neatly charting the band’s evolution from noise militants to pop eccentrics, the first-ever vinyl release of this collection reminds us that Pixies’ trash was often purer than their peers’ gold.
Mekons, Horrorble (Mekons vs. Tony Maimone in Dub Conference)
At the ripe age of 50, the Leeds post-punk/alt-country collective revisits last year’s under-the-radar Horror LP as a dub record with the aid of Pere Ubu’s Tony Maimone.
Mike LeSuer
Season 10 of the in-game event kicks off tomorrow.
Samira Winter shares how Beach Fossils, Elliott Smith, Grouper, and more helped shape her transitory new dream-pop LP.
The Seattle group have shared a deluxe version of their second record today, and will be performing it in full tomorrow night at their first show in seven years in their hometown.
A co-release with EMPIRE, the LP features collabs with .Paak and Queens of the Stone Age’s Troy Van Leeuwen.
The long-running PNW outfit’s debut album Decoder arrives this Friday via Jealous Butcher.
The LA art-pop duo’s self-titled third album arrives October 3.
The Vermont-based songwriter’s second album Burnover arrives this Friday via Transgressive/Canvasback Records.
“All My Friends Are So Depressed” marks the pop-punk trio’s first new material since 2022’s 40 oz. to Fresno.
The seven-and-a-half-minute cut lands ahead of the Texan slowcore/post-rock trio’s second album God’s Gonna Give You a Million Dollars, arriving September 5.
Steve Marion’s latest instrumental odyssey Luke’s Garage lands this Friday.
The Brooklyn group’s new power-pop LP Wifey Material arrives September 26.
The Brooklyn-based folk rockers announce that their debut full-length Parade is set to arrive on October 30 via Born Losers.
Directed by Nara Avakian of Nara’s Room, the clip arrives ahead of the release of the EP of the same name next Friday.
The post-punk experimentalists take us track-by-track through their fourth record, out now via Fire Talk.
John Vanderslice and James Riotto will share their second album of glitchy art-pop on August 29.
The Asheville-based songwriter shares that the track will appear on her newly announced LP Atmosphere, which drops October 31 via First City Artists.
With the chiptune band’s third and most tactile record yet out now via Polyvinyl, they share how demolition derbies, fun hats, and the staircase at the American Football house all helped keep them inspired.
The track arrives ahead of a new LP planned for 2026, as well as the songwriter’s annual Good Things Are Happening fest set for September 6 in Scranton, Pennsylvania.
The fashion-focused visual lands ahead of the artist’s new EP conditions of an orphan//, out September 19 via The Orchard.
“Bus Back to Richmond” and “More Than Friends” are now streaming, with a physical 7-inch release shipping in October.
