With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
 
   
   
   
  Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski 
The Los Angeles Issue
 
  Soft Cell, The Art of Falling Apart [Super Deluxe Edition]
This six-disc collection expands upon the aggression, industrialism, and pernicious lyrics of the duo’s 1983 LP—a revenge, of sorts, on becoming pin-up darlings of the British new wave.
 
  Miguel, Caos
The alt-R&B star’s fifth album embraces existential lyrical concepts to match its dusky jazz-electro sound, industrial ambience, and grouchy fuzzed guitars.
 
  Just Mustard, We Were Just Here
The Irish noise-rockers throw stones at their shoegaze glass castle on their third LP, a heavy-padded experiment in hypnosis that manages to channel a sense of euphoric mania.
Mike LeSuer
 
  The Seattle group have shared a deluxe version of their second record today, and will be performing it in full tomorrow night at their first show in seven years in their hometown.
 
  A co-release with EMPIRE, the LP features collabs with .Paak and Queens of the Stone Age’s Troy Van Leeuwen.
 
  The long-running PNW outfit’s debut album Decoder arrives this Friday via Jealous Butcher.
 
  The LA art-pop duo’s self-titled third album arrives October 3.
 
  The Vermont-based songwriter’s second album Burnover arrives this Friday via Transgressive/Canvasback Records.
 
  “All My Friends Are So Depressed” marks the pop-punk trio’s first new material since 2022’s 40 oz. to Fresno.
 
  The seven-and-a-half-minute cut lands ahead of the Texan slowcore/post-rock trio’s second album God’s Gonna Give You a Million Dollars, arriving September 5.
 
  Steve Marion’s latest instrumental odyssey Luke’s Garage lands this Friday.
 
  The Brooklyn group’s new power-pop LP Wifey Material arrives September 26.
 
  The Brooklyn-based folk rockers announce that their debut full-length Parade is set to arrive on October 30 via Born Losers.
 
  Directed by Nara Avakian of Nara’s Room, the clip arrives ahead of the release of the EP of the same name next Friday.
 
  The post-punk experimentalists take us track-by-track through their fourth record, out now via Fire Talk.
 
  John Vanderslice and James Riotto will share their second album of glitchy art-pop on August 29.
 
  The Asheville-based songwriter shares that the track will appear on her newly announced LP Atmosphere, which drops October 31 via First City Artists.
 
  With the chiptune band’s third and most tactile record yet out now via Polyvinyl, they share how demolition derbies, fun hats, and the staircase at the American Football house all helped keep them inspired.
 
  The track arrives ahead of a new LP planned for 2026, as well as the songwriter’s annual Good Things Are Happening fest set for September 6 in Scranton, Pennsylvania.
 
  The fashion-focused visual lands ahead of the artist’s new EP conditions of an orphan//, out September 19 via The Orchard.
 
  “Bus Back to Richmond” and “More Than Friends” are now streaming, with a physical 7-inch release shipping in October.
 
  The Austin-based hardcore-punks will release their self-titled debut album on August 15 via Three One G.
 
  Jasamine White-Gluz shares how tracks by Underworld, Deerhunter, Type O Negative, and more also happen to have incubated her wildly experimental new album Bugland.

