Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Ella Langley, Dandelion
The pop-country songwriter understands the human weight of the American South’s emotionally rich tableau of high-speed heartbreak and low-light bars, as demonstrated on a resilient second album.
Sugar Horse, Not a Sound in Heaven
On their cleanest-sounding record yet, the doomy Bristol band’s idea of dance music feels perfectly suitable for the turbulent year 2026 has already proven to be.
Lime Garden, Maybe Not Tonight
The cocktail of frustration, insecurity, and lust that courses through the Brighton quartet’s buzzing and adventurous second album mirrors the trajectory of an energetic night out.
Mike LeSuer
Just as the industrial hip-hop stalwarts have never been tourists within the genre, Will Brooks’ lyrical focus on class war and normalized tragedy remains steadfast on the project’s tenth LP.
The Brooklyn-based songwriter revealed today that her debut album will drop May 15, with Natalie Bergman, Modest Mouse, and Cat Power serving as inspiration.
The Cold Beat band leader’s self-titled debut solo album drops April 10 via Night School Records.
Produced by Jonathan Rado, “White Limousine” marks the LA-based songwriter’s first release through Odd Man Out Records.
Inspired by composer Martin Denny, the single arrives ahead of Alejandro Rose-Garcia’s latest collection Fondness, Etc..
The Portland-based songwriter’s latest album Who’s Keeping Time? will arrive on May 22 via Fluff & Gravy.
The band’s latest album Crawlspace of the Pantheon drops May 29.
Public Luxury, the Providence political-punks’ follow-up to their 2017 debut for Sub Pop, arrives June 26.
The artist formerly known as On Man shares another single (as well as Jamie Stewart’s take on it) ahead of Hydrate Those Folds!’s June 12 release.
The sci-fi sex comedy Dead Lover hits select theaters this weekend.
Emma Jansson details each song on the Swedish indie-pop outfit’s Alex Farrar–produced LP.
The fifth record from the Osees band leader’s synth-punk side-project officially arrives tomorrow via the artist’s own Deathgod label.
Colin Ratchford’s third indie-pop LP Deer Path Turn to a Shortcut arrives May 8 via Born Losers Records.
The new band from Fuzz’s Charles Moothart will drop their album on May 15 via In the Red.
This edit of the track teases the post-punk icons’ RSD vinyl of 2007’s Read & Burn 03 + EP, while the video’s footage is taken from the upcoming Wire doc People in a Film.
The single-day Pasadena fest returns on August 22 with Coco & Clair Clair, The Rapture, This Is Lorelei, and more.
“Riptides” lands ahead of the June 5 release of the band’s debut for ANTI- Records.
The songwriter’s latest “multidimensional exploration of sounds” lands ahead of his new album this Wednesday.
The Durham-based songwriter shares how his third album was inspired by new love and the modern indie-folk canon.
The songwriter’s latest project, Connecticut Cowboy, will drop April 10.
