Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Weezer, Weezer [Gold Album]
The band’s seventh color-coded self-titled release presents their signature nerdish power-pop at its most brutal—all schlocky riffs, thundering beats, and scuzzy guitar tones.
Brandon Flowers, Thrasher
The Killers frontman’s third solo album achieves a past-perfect C&W sound and earnest, emotional delivery when it isn’t weighed down by Springsteen homage.
Lambchop, Punching the Clown
Kurt Wagner’s project returns to its most unvarnished form on his 17th album as he mourns the eerie grace of America’s flyover country through haunting, unadorned arrangements.
Mike LeSuer
The late-July event at The Dell will benefit the MTWB Foundation’s community-oriented mission.
The clip directed by Noah Lenker arrives ahead of this Friday’s release of the group’s debut album for Fire Talk, Two Wheels Move the Soul.
“Back in Love” marks the songwriter’s first release through Island Records.
Nearly three decades into their synth-punk project’s history, Nicola Kuperus and Adam Lee Miller share which tracks they continue to carry with them as their new LP Kissing Luck Goodbye hits shelves.
The songwriter explains how everyone from Lucinda Williams to Jonathan Richman inspired her Merge Records debut, which features contributions from Feist, Buck Meek, and more.
Just as the industrial hip-hop stalwarts have never been tourists within the genre, Will Brooks’ lyrical focus on class war and normalized tragedy remains steadfast on the project’s tenth LP.
The Brooklyn-based songwriter revealed today that her debut album will drop May 15, with Natalie Bergman, Modest Mouse, and Cat Power serving as inspiration.
The Cold Beat band leader’s self-titled debut solo album drops April 10 via Night School Records.
Produced by Jonathan Rado, “White Limousine” marks the LA-based songwriter’s first release through Odd Man Out Records.
Inspired by composer Martin Denny, the single arrives ahead of Alejandro Rose-Garcia’s latest collection Fondness, Etc..
The Portland-based songwriter’s latest album Who’s Keeping Time? will arrive on May 22 via Fluff & Gravy.
The band’s latest album Crawlspace of the Pantheon drops May 29.
Public Luxury, the Providence political-punks’ follow-up to their 2017 debut for Sub Pop, arrives June 26.
The artist formerly known as On Man shares another single (as well as Jamie Stewart’s take on it) ahead of Hydrate Those Folds!’s June 12 release.
The sci-fi sex comedy Dead Lover hits select theaters this weekend.
Emma Jansson details each song on the Swedish indie-pop outfit’s Alex Farrar–produced LP.
The fifth record from the Osees band leader’s synth-punk side-project officially arrives tomorrow via the artist’s own Deathgod label.
Colin Ratchford’s third indie-pop LP Deer Path Turn to a Shortcut arrives May 8 via Born Losers Records.
The new band from Fuzz’s Charles Moothart will drop their album on May 15 via In the Red.
This edit of the track teases the post-punk icons’ RSD vinyl of 2007’s Read & Burn 03 + EP, while the video’s footage is taken from the upcoming Wire doc People in a Film.
