Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Boys Noize, 7LLVSION
Made bigger and brawnier by his recent collaboration with Nine Inch Nails, the German-Iraqi electronic producer’s first new solo album in five years proves the most maximal of his career.
Catherine Elicson, River of Fat
Quietly defiant and beautifully insular, the Empath vocalist’s solo debut is a capsule of self-discovery and experimentation outside the confines of any kind of relationship structure.
Bad Brains, Are You Ready
With these raw recordings from 1979, the DC band provides a glimpse into the birth of modern hardcore-punk—which would be far more exciting if we didn’t already have the incendiary Black Dots collection.
Mischa Pearlman
The Swedish songwriter shares how becoming a mother offered her a new sense of clarity on her latest LP—and how TV singing competitions may not be the best way for young artists to kickstart their careers.
The 1987 standalone single will appear on Live at Riot Fest, landing this Friday via Loud Pizza Records.
The Cleveland punks will drop their somewhat ironically titled Shut Up About the Sun EP this Friday via Red Scare.
Consisting of 47 tracks protesting the federal law enforcement agency that’s terrorizing US citizens, this comp creates a rich sense of hope—something rare in protest music.
It’s the second single from Queen Kwong’s newly launched singles label Sick, which invites artists to collaborate on music outside of their comfort zones.
Ben Hozie talks charting new sonic territory, building a miniature world, and harnessing the “brattitude” of the band’s alter ego NODEGA with their fourth LP All Inside Aquarium.
Capturing the existential uncertainty and anguish of being alive right now, each of the eight tracks on the Portland-based songwriter’s new record feels like some kind of séance.
Originally released on Matador in 1996, this expanded version of the Milwaukee duo’s third LP of deliberately provocative slacker-rock emphasizes the unexpected tenderness at its center.
The band’s frontman takes us through the winding passages of their grief-stricken LP An Eraser and a Maze after an initial meeting around 2021’s The Golden Casket ran well off-course.
The Blood Brothers’ Johnny Whitney and Cody Votolato discuss Terraform the Afterlife, the debut LP from their new supergroup additionally featuring members of OFF! and Glassjaw.
With a muted sense of emotional gravitas, Ella Williams’ fourth album strives for the heavens, but runs out of steam halfway there.
A deceptively heavy record behind its jaunty melodies and catchy choruses, the Colorado punks’ second LP is a cold shower that makes you feel fully alive.
Photos Cesar Vera and Xavier Tavera
Victims of the Trump administration’s attack on the Smithsonian’s “anti-American” collections, the artists—along with Galindo’s wife Andrea Arroyo, whose artwork was targeted during Trump’s first term—speak to the power their art holds.
The pop star’s third record sounds like it was made by someone whose ideas are still in transition rather than by someone who’s reached the edenic destination alluded to in its title.
Ahead of this weekend’s event at the Hollywood Bowl featuring Beck, Devo, Jenny Lewis, Jim James, Karen O, and many more, the Bowl’s VP of programming shares how it all came together.
It’s the latest taste of his new album, Oh Yeah?>, which also features Erykah Badu and Cecile Believe.
The updated track arrives ahead of his Ride Lonesome Tour this fall.
The star-studded song is Bridgers’ first new material since 2022.
A portion of ticket sales will benefit The Trevor Project, the leading suicide prevention and crisis intervention nonprofit for LGBTQ+ youth.
The immersive experience takes over Brooklyn’s Agger Fish Building from September 1 through 28.
