Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
HEALTH, Conflict DLC
The noise-rockers’ sixth LP is a full-on rush of nihilistic energy, a shattered disco ball serving as the perfect encapsulation of a world decimated by capitalistic greed at the expense of humanity.
Fucked Up, Year of the Goat
Made up of two nearly half-hour tracks, the hardcore experimentalists’ latest is artistically commendable and consistently intriguing, even if it tends to test the listener’s patience.
This Is Lorelei, Holo Boy
Water From Your Eyes’ Nate Amos digs into his back catalog of nearly 70 releases shared over the last 12 years, revealing his humble beginnings and the seeds of last year’s breakout LP.
Mischa Pearlman
Worry Bead Records compiles tracks from Squirrel Flower, Remember Sports, 22° Halo, and more conjuring a wistful world of lo-fi elegance while raising funds for a very worthwhile cause.
On their third album, Chicago’s grungey power-pop outfit neatly balances present-day anxieties with wistful nostalgia while sagely ruminating on existential struggle and broader social themes.
With the Toronto punks releasing their fifth album Who Will Look After the Dogs? today, we grill lead guitarist Steve Sladkowski about the band’s back-to-basics approach.
The Fort Collins punks share the first track from their seventh album Nobody’s Going to Heaven just in time for May Day.
Arriving a decade after the formation of the Atlanta emo-punk trio, the 10 sophisticated, visceral songs on this debut feel like a release of pent-up energy.
Doing away with their blues-stomp/desert-rock hybrid in favor of something more mellow and downbeat, the Canadian duo’s sophomore LP is a collection of deep sighs and broken hearts.
The experimental metal band’s sixth album relishes in the unexpected, containing some of their most extreme black-metal moments as well as some of their most tenderly fragile.
The “post-glacier” goblin-punks discuss their new album Daydream Indignation, Portland, Oregon’s flourishing music scene, and manifesting friendship.
The NYC indie-folk duo’s sixth album is a wonderful rumination on the perceived limitations of songcraft, using its 11 tracks to demonstrate the infinite approaches to universal themes.
Vocalist Coco Kinnon fills us in on the journey to making the Nashville-based pop-punk trio’s debut album My Apologies to the Chef sound “100 percent” their own.
These nine shelved recordings remain resplendent explosions of emotion and wonder 34 years later, despite the then-nascent Boston shoegazers clearly striving to find their sound.
The tender pain of Jojo Orme’s post-punk debut mostly maintains the sinister nature of its dual inspiration—suffering brought upon by war and through fractured relationships—quite well.
Recorded in 2001, originally released in 2010, and newly remastered, there’s a bristling energy that runs through this EP that maximizes the weird terror of these 16 bursts of grindcore.
The Acid Bath vocalist offers a cryptic introduction to 7 Songs for Spiders, his first solo release in 15 years.
Written through an older and wiser lens, the NYC hardcore punks’ new EP contains the same kind of ebullience that the band possessed when they last released material 25 years ago.
More of an immersive art installation than an album, this 90-minute drone project is every bit as moving as its pop predecessor despite feeling deliberately difficult.
Carré Callaway’s friend and collaborator Roger O’Donnell of The Cure fame is featured in the new clip, which was co-directed by Callaway.
With the Brooklyn band’s new album Closer To; out today via Equal Vision Records, frontman Julian Rosen takes us deeper into its heavy themes in a brief Q&A.
Lagwagon’s Joey Cape discusses his pop-punk project’s return nearly two decades after their last album with these reworked versions of old songs.
This new era of evident Dire Straits influence builds on and redefines the Hot Water Music vocalist’s legacy and reputation as a songwriter.
