FLOOD

FLOOD is a new, influential voice that spans the diverse cultural landscape of music, film, television, art, travel, and everything in between.
Mischa Pearlman
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Reviews
Bruce Springsteen, “Only the Strong Survive”

These 15 covers of R&B and soul classics are treated with both the reverence they deserve on their own terms, and with which Springsteen also clearly holds for them.

November 11, 2022
Track by Track
Young Culture Walk Us Through Their Forward-Looking New LP “You Had to Be There”

Alex Magnan breaks down each track on the NYC-based trio’s latest, out now via Equal Vision.

November 11, 2022
Reviews
Sparta, “Sparta”

This self-titled fifth album is the sound of Jim Ward both finding and re-finding himself, his heritage and future coalescing with mostly youthful ebullience.

November 07, 2022
Reviews
Birds in Row, “Gris Klein”

The 11 songs that comprise the French experimental post-hardcore trio’s third album are magnified reflections of the grotesqueries of modern life and society.

November 04, 2022
In Conversation
The Jesus and Mary Chain Still Make Perfect Sense

Ahead of their headlining set at Austin’s Levitation Fest this weekend, Jim Reid reflects on 40 years of the Scottish band’s existence, and shares what may lie ahead.

October 24, 2022
Reviews
Pinkshift, “Love Me Forever”

A mix of punk, post-hardcore, grunge, and pop, the Baltimore trio’s debut is a stunning burst of influences and experiences coalescing in a swirling swathe of anger and injustice.

October 21, 2022
Track by Track
Archers of Loaf Take Us Through Their Reunion LP “Reason in Decline” Track by Track

Eric Bachmann takes us deeper into the band’s first LP since 1998, out now via Merge.

October 21, 2022
First Listen
Born Without Bones Turn Adversity on Its Head in Video for New Track “Fistful of Bees”

The Massachusetts punks’ new album Dancer arrives November 4 via Pure Noise.

October 12, 2022
Reviews
Naomi Alligator, “Double Knot”

On her label debut, Corrinne James is still laying her vulnerabilities on the line in what sounds like the most intimate setting.

October 10, 2022
No Devotion Are Bouncing Back From Oblivion

Geoff Rickly shares how the continuation of what looked like a one-off side-project allowed him to scratch an itch left untouched by the recent Thursday reunion.

October 07, 2022
Reviews
Greg Puciato, “Mirrorcell”

This sophomore solo LP is an exhilarating ride with some moments of magic, but one that never quite reaches the inimitable heights that Dillinger Escape Plan offered.

October 04, 2022
Reviews
Anthony Green, “Boom. Done.”

The Circa Survive vocalist’s latest solo release sees him turn all his pained experience and existential torment into a gorgeous soundtrack to pure, distilled feeling.

October 03, 2022
Reviews
TOLEDO, “How It Ends”

There’s a real darkness holding the quiet hush of the Brooklyn-based duo’s debut full-length together, which reveals a deep pain and trauma if you pay attention.

September 30, 2022
Reviews
Dead Kennedys, “Fresh Fruit for Rotting Vegetables” (2022 Mix)

The West Coast punks’ 1980 debut full-length stands as both an important historical document and a necessary, contemporary reflection of the world today.

September 28, 2022
Reviews
The Mars Volta, “The Mars Volta”

This self-titled record takes The Mars Volta in the most unexpected of directions as it firmly shakes off any preconceptions of what this band is or ever was.

September 26, 2022
Reviews
Pianos Become the Teeth, “Drift”

The fifth full-length from the Baltimore post-hardcore outfit is a beautifully bleak yet overwhelmingly comforting examination of life.

September 12, 2022
Reviews
Spielbergs, “Vestli”

Despite being a record about feeling stuck, the Norwegian trio’s sophomore LP shimmers with an infectious freedom and inexorable vitality.

September 07, 2022
Reviews
Queen Kwong, “Couples Only”

Carré Callaway’s latest is a brilliant testament to human endurance, to battling extreme adversity, to keeping going when you really don’t want to.

September 06, 2022
Voxtrot Are Re-Learning Their Significance

Ramesh Srivastava discusses self-growth, making big statements, and reviving the band after 12 years.

August 31, 2022
Reviews
R.E.M., “Chronic Town” [Reissue]

While this motley crew surely had no idea of the profound impact their songs would go on to have on alternative music and culture, this 1982 debut EP nevertheless sounds revolutionary, vital, important.

August 19, 2022
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