With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue
Florence + the Machine, Everybody Scream
After recent big swings across the pop plate, Florence Welch’s gothic sixth album gets cerebral and probing as the songwriter proves herself to be more in touch with her emotions.
Chat Pile & Hayden Pedigo, In the Earth Again
Destruction and decay may be the themes explored by the unlikely collaboration of a noise-rock band and a folk guitarist, but instrumentally, they make it sound beautiful, lush, and gentle.
Soft Cell, The Art of Falling Apart [Super Deluxe Edition]
This six-disc collection expands upon the aggression, industrialism, and pernicious lyrics of the duo’s 1983 LP—a revenge, of sorts, on becoming pin-up darlings of the British new wave.
Mischa Pearlman
The Santa Barbara by way of Philly songwriter takes us through his “post-apocalyptic Americana” opus track by track.
On his sophomore solo LP, the former Exitmusic member ponders the highs and lows of existence through somber, gravelly vocals.
With their new album Ten Stories High out today, the band also shares some of their biggest influences on the recording.
The Pittsburgh politipunks’ 13th studio album is a culmination of everything they’ve been singing about since forming back in the late-’80s.
These 15 covers of R&B and soul classics are treated with both the reverence they deserve on their own terms, and with which Springsteen also clearly holds for them.
Alex Magnan breaks down each track on the NYC-based trio’s latest, out now via Equal Vision.
This self-titled fifth album is the sound of Jim Ward both finding and re-finding himself, his heritage and future coalescing with mostly youthful ebullience.
The 11 songs that comprise the French experimental post-hardcore trio’s third album are magnified reflections of the grotesqueries of modern life and society.
Ahead of their headlining set at Austin’s Levitation Fest this weekend, Jim Reid reflects on 40 years of the Scottish band’s existence, and shares what may lie ahead.
A mix of punk, post-hardcore, grunge, and pop, the Baltimore trio’s debut is a stunning burst of influences and experiences coalescing in a swirling swathe of anger and injustice.
Eric Bachmann takes us deeper into the band’s first LP since 1998, out now via Merge.
The Massachusetts punks’ new album Dancer arrives November 4 via Pure Noise.
On her label debut, Corrinne James is still laying her vulnerabilities on the line in what sounds like the most intimate setting.
Geoff Rickly shares how the continuation of what looked like a one-off side-project allowed him to scratch an itch left untouched by the recent Thursday reunion.
This sophomore solo LP is an exhilarating ride with some moments of magic, but one that never quite reaches the inimitable heights that Dillinger Escape Plan offered.
The Circa Survive vocalist’s latest solo release sees him turn all his pained experience and existential torment into a gorgeous soundtrack to pure, distilled feeling.
There’s a real darkness holding the quiet hush of the Brooklyn-based duo’s debut full-length together, which reveals a deep pain and trauma if you pay attention.
The West Coast punks’ 1980 debut full-length stands as both an important historical document and a necessary, contemporary reflection of the world today.
This self-titled record takes The Mars Volta in the most unexpected of directions as it firmly shakes off any preconceptions of what this band is or ever was.
The fifth full-length from the Baltimore post-hardcore outfit is a beautifully bleak yet overwhelmingly comforting examination of life.
