FLOOD

FLOOD is a new, influential voice that spans the diverse cultural landscape of music, film, television, art, travel, and everything in between.
Mischa Pearlman
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First Listen
Corvair Share a Dadaist Collage of Odd Road Trip Details with New Single “Shady Town”

The duo’s second album Bound to Be will arrive June 23.

May 17, 2023
Codefendants Are Searching for Their Golden Moment

Ceschi Ramos, Get Dead’s Sam King, and NOFX’s Fat Mike discuss their debut album This Is Crime Wave, which draws from their own experiences in the criminal justice system—and a sitcom-like housing situation.

May 11, 2023
Track by Track
Dave Hause Breaks Down His Heartbreaking and Inspiring New Album “Drive It Like It’s Stolen”

The Santa Barbara by way of Philly songwriter takes us through his “post-apocalyptic Americana” opus track by track.

April 28, 2023
Reviews
Devon Church, “Strange Strangers”

On his sophomore solo LP, the former Exitmusic member ponders the highs and lows of existence through somber, gravelly vocals.

April 18, 2023
The Bouncing Souls Lean Into the Restorative Powers of Music and Community in New “Back to Better” Video

With their new album Ten Stories High out today, the band also shares some of their biggest influences on the recording.

March 24, 2023
Reviews
Anti-Flag, “Lies They Tell Our Children”

The Pittsburgh politipunks’ 13th studio album is a culmination of everything they’ve been singing about since forming back in the late-’80s.

January 04, 2023
Reviews
Bruce Springsteen, “Only the Strong Survive”

These 15 covers of R&B and soul classics are treated with both the reverence they deserve on their own terms, and with which Springsteen also clearly holds for them.

November 11, 2022
Track by Track
Young Culture Walk Us Through Their Forward-Looking New LP “You Had to Be There”

Alex Magnan breaks down each track on the NYC-based trio’s latest, out now via Equal Vision.

November 11, 2022
Reviews
Sparta, “Sparta”

This self-titled fifth album is the sound of Jim Ward both finding and re-finding himself, his heritage and future coalescing with mostly youthful ebullience.

November 07, 2022
Reviews
Birds in Row, “Gris Klein”

The 11 songs that comprise the French experimental post-hardcore trio’s third album are magnified reflections of the grotesqueries of modern life and society.

November 04, 2022
In Conversation
The Jesus and Mary Chain Still Make Perfect Sense

Ahead of their headlining set at Austin’s Levitation Fest this weekend, Jim Reid reflects on 40 years of the Scottish band’s existence, and shares what may lie ahead.

October 24, 2022
Reviews
Pinkshift, “Love Me Forever”

A mix of punk, post-hardcore, grunge, and pop, the Baltimore trio’s debut is a stunning burst of influences and experiences coalescing in a swirling swathe of anger and injustice.

October 21, 2022
Track by Track
Archers of Loaf Take Us Through Their Reunion LP “Reason in Decline” Track by Track

Eric Bachmann takes us deeper into the band’s first LP since 1998, out now via Merge.

October 21, 2022
First Listen
Born Without Bones Turn Adversity on Its Head in Video for New Track “Fistful of Bees”

The Massachusetts punks’ new album Dancer arrives November 4 via Pure Noise.

October 12, 2022
Reviews
Naomi Alligator, “Double Knot”

On her label debut, Corrinne James is still laying her vulnerabilities on the line in what sounds like the most intimate setting.

October 10, 2022
No Devotion Are Bouncing Back From Oblivion

Geoff Rickly shares how the continuation of what looked like a one-off side-project allowed him to scratch an itch left untouched by the recent Thursday reunion.

October 07, 2022
Reviews
Greg Puciato, “Mirrorcell”

This sophomore solo LP is an exhilarating ride with some moments of magic, but one that never quite reaches the inimitable heights that Dillinger Escape Plan offered.

October 04, 2022
Reviews
Anthony Green, “Boom. Done.”

The Circa Survive vocalist’s latest solo release sees him turn all his pained experience and existential torment into a gorgeous soundtrack to pure, distilled feeling.

October 03, 2022
Reviews
TOLEDO, “How It Ends”

There’s a real darkness holding the quiet hush of the Brooklyn-based duo’s debut full-length together, which reveals a deep pain and trauma if you pay attention.

September 30, 2022
Reviews
Dead Kennedys, “Fresh Fruit for Rotting Vegetables” (2022 Mix)

The West Coast punks’ 1980 debut full-length stands as both an important historical document and a necessary, contemporary reflection of the world today.

September 28, 2022
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