FLOOD

Executed with precision and grace, the group’s first release in over a decade blends the darkly political with the profoundly personal.

Ian Shelton discusses the various roads which led to the LA punks’ debut LP, Life Under the Gun.

The Phoenix folk-punks’ eighth LP feels more post-/mid-apocalyptic than foreshadowing of it while maintaining the band’s wonderful mix of pathos and humor.

The Canadian noise-punks’ fourth record is out now via Dine Alone Records.

The duo’s second album Bound to Be will arrive June 23.

Ceschi Ramos, Get Dead’s Sam King, and NOFX’s Fat Mike discuss their debut album This Is Crime Wave, which draws from their own experiences in the criminal justice system—and a sitcom-like housing situation.

The Santa Barbara by way of Philly songwriter takes us through his “post-apocalyptic Americana” opus track by track.

On his sophomore solo LP, the former Exitmusic member ponders the highs and lows of existence through somber, gravelly vocals.

With their new album Ten Stories High out today, the band also shares some of their biggest influences on the recording.

The Pittsburgh politipunks’ 13th studio album is a culmination of everything they’ve been singing about since forming back in the late-’80s.

These 15 covers of R&B and soul classics are treated with both the reverence they deserve on their own terms, and with which Springsteen also clearly holds for them.

Alex Magnan breaks down each track on the NYC-based trio’s latest, out now via Equal Vision.

This self-titled fifth album is the sound of Jim Ward both finding and re-finding himself, his heritage and future coalescing with mostly youthful ebullience.

The 11 songs that comprise the French experimental post-hardcore trio’s third album are magnified reflections of the grotesqueries of modern life and society.

Ahead of their headlining set at Austin’s Levitation Fest this weekend, Jim Reid reflects on 40 years of the Scottish band’s existence, and shares what may lie ahead.

A mix of punk, post-hardcore, grunge, and pop, the Baltimore trio’s debut is a stunning burst of influences and experiences coalescing in a swirling swathe of anger and injustice.

Eric Bachmann takes us deeper into the band’s first LP since 1998, out now via Merge.

The Massachusetts punks’ new album Dancer arrives November 4 via Pure Noise.

On her label debut, Corrinne James is still laying her vulnerabilities on the line in what sounds like the most intimate setting.

Geoff Rickly shares how the continuation of what looked like a one-off side-project allowed him to scratch an itch left untouched by the recent Thursday reunion.