With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

HAIM, I Quit
The sister trio’s fourth full-length is a summer breakup concept record that’s intimate, powerful, and too scattered within its catharsis.

Little Simz, Lotus
The product of a fractured personal and professional relationship, the UK rapper’s sixth album feels like an unexpected new growth blooming on the same familiar plant.

Keep, Almost Static
Toiling away at creating a style all their own for over a decade, the Richmond group’s latest LP exudes a sense of freedom in their doomsday shoegaze sound.
Mischa Pearlman

2014. Phil Selway, “Weatherhouse”
Anyway, the point is that this second solo album by Radiohead drummer Philip Selway does contain a good deal of heart.

2014. Robyn Hitchcock “The Man Upstairs” album art
Recorded and mixed in a week by legendary producer Joe Boyd (Pink Floyd, Nick Drake), Robyn Hitchcock’s latest LP—his twentieth solo record in a thirty-plus-year career—is a collection of covers and originals.

This third record from musical duo (and siblings) Angus & Julia Stone wasn’t meant to be.

2014. Drenge’s self-titled album art
Yet while the brothers’ compositions are monolithic—and almost monotone—in their post-grunge drudginess, they’re also full of verve.