With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Sly & the Family Stone, The First Family: Live at Winchester Cathedral 1967
This unearthed 1967 live gig from Redwood City, California features raw, soulful R&B covers recorded with a roomful of memorable voices that audiences would soon grow to love.

Alex G, Headlights
Alex Giannascoli’s major-label debut earnestly embraces dated musical tropes only to turn them on their heads as they soundtrack explosions of messy emotional honesty.

Billie Marten, Dog Eared
The British indie-folk songwriter’s fifth album is aided by a full-band even in its most personal moments, as Marten reflects on indelible scenes from childhood as seen through adult eyes.
Mischa Pearlman

Horse Feathers, So It Is With Us Cover, 2014
This fifth full-length is no different, with frontman and songwriter Justin Ringle leading the five-piece through ten tracks of sad majesty.

Dads, I’ll Be the Tornado Cover, 2014
Opener “Grand Edge, MI” starts off as a gentle, mournful lament before bursting into a bristling, tense existential anthem that’s all feedback guitars, crashing drums, and open wounds.

2014. Phil Selway, “Weatherhouse”
Anyway, the point is that this second solo album by Radiohead drummer Philip Selway does contain a good deal of heart.

2014. Robyn Hitchcock “The Man Upstairs” album art
Recorded and mixed in a week by legendary producer Joe Boyd (Pink Floyd, Nick Drake), Robyn Hitchcock’s latest LP—his twentieth solo record in a thirty-plus-year career—is a collection of covers and originals.

This third record from musical duo (and siblings) Angus & Julia Stone wasn’t meant to be.

2014. Drenge’s self-titled album art
Yet while the brothers’ compositions are monolithic—and almost monotone—in their post-grunge drudginess, they’re also full of verve.