Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Cult of Luna, In the Shadow of Your Shadow
The Swedish post-metal pioneers’ intense 10th full-length is among their darkest, hardest-hitting statements as it searches this scorched earth for shafts of rapturous light.
Sufjan Stevens, Worst Christmas Ever!
The Christmas album format finds vindication as the songwriter distills timeless compositions into a primer that cares about reverence and reflection as much as bombastic experimentation.
Katie Dey, Universal Will
Trading her typical hyperpop textures for heavy rock notes, the Australian pop experimentalist focuses her sights on the rise of technofascism in the wake of an online coming-of-age.
Mischa Pearlman
Horse Feathers, So It Is With Us Cover, 2014
This fifth full-length is no different, with frontman and songwriter Justin Ringle leading the five-piece through ten tracks of sad majesty.
Dads, I’ll Be the Tornado Cover, 2014
Opener “Grand Edge, MI” starts off as a gentle, mournful lament before bursting into a bristling, tense existential anthem that’s all feedback guitars, crashing drums, and open wounds.
2014. Phil Selway, “Weatherhouse”
Anyway, the point is that this second solo album by Radiohead drummer Philip Selway does contain a good deal of heart.
2014. Robyn Hitchcock “The Man Upstairs” album art
Recorded and mixed in a week by legendary producer Joe Boyd (Pink Floyd, Nick Drake), Robyn Hitchcock’s latest LP—his twentieth solo record in a thirty-plus-year career—is a collection of covers and originals.
This third record from musical duo (and siblings) Angus & Julia Stone wasn’t meant to be.
2014. Drenge’s self-titled album art
Yet while the brothers’ compositions are monolithic—and almost monotone—in their post-grunge drudginess, they’re also full of verve.
