With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
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The Los Angeles Issue
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Reviews
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Devendra Banhart, Cripple Crow [20th Anniversary Deluxe Edition]
Further extending the LP’s dimensions, this reissue adds a third disc of outtakes, B-sides, and demos that only serve to fortify the project’s sonic asymmetry and emotional, quixotic lyricism.
Die Spitz, Something to Consume
With their Will Yip–produced debut, the Austin punk quartet has something to say about postmodern society in 11 metal-fusion tracks ripe with political turmoil and skatepark angst.
Shame, Cutthroat
The UK rockers don’t mince words on their fourth studio album, pairing their infectious proto-punk grooves with nakedly hedonistic lyrics.
Oumar Saleh
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In Conversation
Nicholas Craven on the Melodic Emotion That Defines His Beats
One year removed from his Boldy James collab Penalty of Leadership, the producer discusses what constitutes the definitive Craven sound.
January 10, 2025
Reviews
Pearl & the Oysters, “Planet Pearl”
The LA-via-Paris duo takes their blissful brand of retro lounge pop to cosmic heights with an expansive fifth record that explores new galaxies without straying too far from their usual formula.
September 24, 2024
Reviews
BLK ODYSSY, “1-800-FANTASY”
On his third showcase of vivid storytelling under the moniker, Juwan Elcock adds early 2000s pop-rock to his pre-established melting pot of R&B, hip-hop, funk, and jazz.
July 25, 2024
