With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
The Weeknd, Hurry Up Tomorrow
This hypnotic, 85-minute opus which Abel Tesfaye claims will be the final statement from his long-running moniker may be his biggest bonfire to his vanities—that is, until it flames out.
MIKE, Showbiz!
The NYC-based rapper’s ninth solo album toes the line between lo-fi, soul, jazz, and ambient electronics, adding a newfound sense of resolve to the grief explored on recent release.
Bonnie “Prince” Billy, The Purple Bird
Created in tribute to his friendship with producer Dave Ferguson, the youthful energy they channel together works well for a no-frills country record that gets so much done with so little.
Paul Veracka
Now 15 years into their career, the West Coast garage rockers discuss adding new dimensions to their sound on their latest LP, The Moon Is in the Wrong Place.
Chad Clark helms a reissue of his band’s earliest recordings, featuring some of the most left-field, catchy, and brilliant post-punk of the early aughts.
The songwriter discusses the importance of humor, collaboration, and exploration on his new album Heartmind.
Thom Yorke, Jonny Greenwood, and Tom Skinner enter the playground of experimental rock as a unit for the first time and establish themselves as a uniquely powerful force.
The ambient stalwart and prolific guitarist combine forces to create sweeping odes to the natural world, friendship, and the things that make no sense at all.
With her maturity and creative flexibility, Yanya uses knife-like precision to sculpt a record from intimate heartache.