Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Flea, Honora
While the Red Hot Chili Peppers bassist’s collaboration-heavy foray into jazz occasionally errs on the side of pensive, it’s never anything less than heartfelt.
Robyn, Sexistential
The Stockholm-based electropop auteur’s ode to motherhood falls right in line with her always-mature, somewhat-confrontational manner of making desire-driven dance pop.
Holy Fuck, Event Beat
The Canadian band’s sixth collection of percussion-driven, electronically augmented art-rock walks a fascinating tightrope between hard-hitting noise and grooving synth-funk.
Paul Veracka
Now 15 years into their career, the West Coast garage rockers discuss adding new dimensions to their sound on their latest LP, The Moon Is in the Wrong Place.
Chad Clark helms a reissue of his band’s earliest recordings, featuring some of the most left-field, catchy, and brilliant post-punk of the early aughts.
The songwriter discusses the importance of humor, collaboration, and exploration on his new album Heartmind.
Thom Yorke, Jonny Greenwood, and Tom Skinner enter the playground of experimental rock as a unit for the first time and establish themselves as a uniquely powerful force.
The ambient stalwart and prolific guitarist combine forces to create sweeping odes to the natural world, friendship, and the things that make no sense at all.
With her maturity and creative flexibility, Yanya uses knife-like precision to sculpt a record from intimate heartache.
