With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Mac Miller, Balloonerism
This unearthed material collects a cohesive set of world-weary character studies examining the slippery slide of self-medication—even if it’s only an interpretation of the late artist’s vision.
Frank Black, Teenager of the Year [30th Anniversary Edition]
Bolder, weirder, and less Pixies-like than his solo debut, this vast collection of contagious pop vibes and oddball character studies remains Black Francis’ finest musical moment on his own.
Iggy Pop, Live at Montreux Jazz Festival 2023
Recorded at the Swiss fest’s Stravinsky Hall with a seven-piece ensemble, the punk icon crams his deeply expansive catalog into one loud bomb-drop.
Reed Strength
In 2008, Atlanta’s preeminent indie rock band made a record to become more than just that—but only tentatively so.
The Portland trio called it quits this week, but for many, they leave behind a fiery legacy that can’t be put out.
The proggy psych septet destroyed any traditional conception of a release cycle last year, but each of their five LPs are worth talking about on their own.
With an art exhibit and a debut solo album to offer, the ever-busy lyricist and visual artist opens up on his creative process with expected verbosity and frankness.
To love The War on Drugs, to gain a deeper understanding like the title of their latest album suggests, is to constantly return to the echoing canyons of dreamy classic rock they’ve spent over a decade now forming.