Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
hemlocke springs, the apple tree under the sea
Naomi Udu’s debut album soundtracks her journey of self-discovery through her own version of heaven and hell in a glitch-pop take on Paradise Lost and Dante’s Inferno.
August Ponthier, Everywhere Isn’t Texas
The alt-country songwriter makes the most out of their first full album and its rush of ideas that bask in a sense of independence—both from a repressive upbringing and major-label backing.
Remember Sports, The Refrigerator
The Philly indie rockers take stock of everything on the shelves with a revitalized fifth LP that feels like a lifetime of growth reaching a critical mass.
Sam C. Mac
Pop hero to trap villain and back again.
The singer’s new suite of works—”Blonde,” “Endless,” and “Boys Don’t Cry”—exists on its own terms, turning his understanding of fluid identification into an aesthetic.
Ellen Page and Evan Rachel Wood in “Into the Forest”
The pair of female protagonists at the center of this apocalypse thriller provide the only wrinkle in an otherwise rote genre film.
Microbe and Gasoline / courtesy Screen Media Films
The once (and future?) visionary director returns with this strongest flick since 2008’s “Be Kind Rewind.”
Liam Hemsworth and Woody Harrelson in “The Duel” / photo courtesy of Lionsgate Premiere
Kieran Darcy-Smith ably connects the dilemmas of the present with the hewing of the western frontier. His resolution leaves something to be desired.
Kyle Chandler in season two of “Bloodline” / photo courtesy of Netflix
The first season of Netflix’s Kyle Chandler–led serial drama offset its idyllic setting with a story of white-knuckle familial tension. Now creators Glenn and Todd Kessler and Daniel Zelman are doubling down.
