Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Iron & Wine, Hen’s Teeth
A heavier fraternal twin to 2024’s Light Verse, Sam Beam’s unlikely eighth album hums through the speakers like a quiet, sudden revelation.
Cootie Catcher, Something We All Got
The Toronto puzzle-pop quartet’s second record better integrates their impish tendencies; just like their origami namesake, the surprises unfold one after another.
Peaches, No Lube So Rude
Still stationed at the politicized meeting place of sexuality, queer iconography, feminism, and funk, there’s something sleekly hyperpop about the artist’s first album in over a decade.
Sean Neumann
Howerton explains how “Sunny” is “the Phish of shows” before its record-tying fourteenth season’s finale.
THE KOMINSKY METHOD
The show’s second season is now streaming on Netflix.
For the first time in eighteen years, TNT has a serious contender in the ring.
Stu Mackenzie’s band is as prolific as they are curious about their limits.
GLOW
Wrestlers’ bodies take a beating faster than most, and the women of this Netflix series are no different.
How Chicago musicians Jason Balla and Emily Kempf talked through their breakup in song and wrote “Water,” a modern love record.
