Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
hemlocke springs, the apple tree under the sea
Naomi Udu’s debut album soundtracks her journey of self-discovery through her own version of heaven and hell in a glitch-pop take on Paradise Lost and Dante’s Inferno.
August Ponthier, Everywhere Isn’t Texas
The alt-country songwriter makes the most out of their first full album and its rush of ideas that bask in a sense of independence—both from a repressive upbringing and major-label backing.
Remember Sports, The Refrigerator
The Philly indie rockers take stock of everything on the shelves with a revitalized fifth LP that feels like a lifetime of growth reaching a critical mass.
Sean Neumann
Howerton explains how “Sunny” is “the Phish of shows” before its record-tying fourteenth season’s finale.
THE KOMINSKY METHOD
The show’s second season is now streaming on Netflix.
For the first time in eighteen years, TNT has a serious contender in the ring.
Stu Mackenzie’s band is as prolific as they are curious about their limits.
GLOW
Wrestlers’ bodies take a beating faster than most, and the women of this Netflix series are no different.
How Chicago musicians Jason Balla and Emily Kempf talked through their breakup in song and wrote “Water,” a modern love record.
