Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Caroline Rose, Gentling the Horse at the Walt Whitman Mall
Blending synthpop, alt-country, and punk, the songwriter’s surrealist vision of American suburbia in 2026 is fueled by tracks that rip and soak in the moments they depict.
Sour Widows, Sigil
The Bay Area duo confronts grief and cruelty while making space for necessary indulgence on their second LP, with producer Melina Duterte pushing them toward bolder arrangements.
Grumpy, Unfindable Ring
After a pair of EPs opened the door to shapeshifting unpredictability, Heaven Schmitt’s second LP leans into an emotive, purposefully fragmented sound that remains impossible to pin down.
Sean Neumann
Howerton explains how “Sunny” is “the Phish of shows” before its record-tying fourteenth season’s finale.
THE KOMINSKY METHOD
The show’s second season is now streaming on Netflix.
For the first time in eighteen years, TNT has a serious contender in the ring.
Stu Mackenzie’s band is as prolific as they are curious about their limits.
GLOW
Wrestlers’ bodies take a beating faster than most, and the women of this Netflix series are no different.
How Chicago musicians Jason Balla and Emily Kempf talked through their breakup in song and wrote “Water,” a modern love record.
