Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Bleachers, Everyone for Ten Minutes
The bigness that Jack Antonoff holds on his band’s latest album is dedicated to the human spirit and the hope of something better—and rockier—for our future.
Lowertown, Ugly Duckling Union
The NYC duo return to their DIY roots on their creatively unbridled second LP, turning a highly unusual concept into something rather heartfelt and wonkily majestic.
Hammock, The Second Coming Was a Moonrise
The Nashville veterans blend the understated melancholia of dream pop with the more dramatic scale of post-rock on their latest album with a nice push-and-pull effect.
Sean Neumann
Howerton explains how “Sunny” is “the Phish of shows” before its record-tying fourteenth season’s finale.
THE KOMINSKY METHOD
The show’s second season is now streaming on Netflix.
For the first time in eighteen years, TNT has a serious contender in the ring.
Stu Mackenzie’s band is as prolific as they are curious about their limits.
GLOW
Wrestlers’ bodies take a beating faster than most, and the women of this Netflix series are no different.
How Chicago musicians Jason Balla and Emily Kempf talked through their breakup in song and wrote “Water,” a modern love record.
