Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
This Is Lorelei, Holo Boy
Water From Your Eyes’ Nate Amos digs into his back catalog of nearly 70 releases shared over the last 12 years, revealing his humble beginnings and the seeds of last year’s breakout LP.
Pink Floyd, Wish You Were Here 50
This box set repackages the languid yet damaged follow-up to the band’s breakout success, with its true star being the massive-sounding bootleg of a 1975 live show at LA’s Sports Arena.
Blur, The Great Escape [30th Anniversary Edition]
Packed with era-appropriate B-sides, this release celebrates the Britpop quartet in their last gasp of opulent orchestration as they moved into lonely disillusionment and reserved distance.
Steve Horton
A satisfying sequel to the 2021 tongue-in-cheek ex-assassin suburban dad story finds Bob Odenkirk’s Hutch desperately wanting a break.
Ethan Coen and Tricia Cooke’s second installment in their “lesbian B-movie trilogy” has a terrific ensemble and miles of style, but comes with serious third-act problems.
Remastered in 4K, Rob Reiner’s satire of aging-rock-band tour docs returns to theaters this month ahead of its sequel planned for September.
Alex Ross Perry’s three-hour documentary is a love letter to the video store in cinema—albeit one perhaps best suited to equally bygone attention spans.
Director/writer/star Eva Victor’s darker-than-black comedy debut addresses heavy subject matter through unexpected tones and structures.
Wes Anderson’s latest is a very funny quest film where the quest doesn’t matter.
With their second film, brothers Michael and Danny Philippou bring us a tale of dark resurrection and the chaos that ensues.
