With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue
Various artists, All Things Go: 10 Years
Benefitting the Ally Coalition, this collection features original material from the fest’s diversified wealth of artists—though it’s oddly devoid of any actual in-concert recordings.
Hüsker Dü, 1985: The Miracle Year
Packaging a set from their Minnesota hometown with reams of added live tracks from that same championship season, this collection sees the trio’s past and present melt into one new reality of stinging melodicism.
Odonis Odonis, Odonis Odonis
On their sixth LP, the industrial duo tones down the electronic tendencies of their past decade of output as they revisit to the gloomy post-punk and atmospheric shoegaze of their origins.
Steve Horton
A satisfying sequel to the 2021 tongue-in-cheek ex-assassin suburban dad story finds Bob Odenkirk’s Hutch desperately wanting a break.
Ethan Coen and Tricia Cooke’s second installment in their “lesbian B-movie trilogy” has a terrific ensemble and miles of style, but comes with serious third-act problems.
Remastered in 4K, Rob Reiner’s satire of aging-rock-band tour docs returns to theaters this month ahead of its sequel planned for September.
Alex Ross Perry’s three-hour documentary is a love letter to the video store in cinema—albeit one perhaps best suited to equally bygone attention spans.
Director/writer/star Eva Victor’s darker-than-black comedy debut addresses heavy subject matter through unexpected tones and structures.
Wes Anderson’s latest is a very funny quest film where the quest doesn’t matter.
With their second film, brothers Michael and Danny Philippou bring us a tale of dark resurrection and the chaos that ensues.
