With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Clipse, Let God Sort Em Out
Paired with familiar high-gloss minimalism courtesy of producer Pharrell Williams, Pusha T and Malice’s first album in 16 years stands up fairly well as an assured re-up of their rap powers.

Nilüfer Yanya, Dancing Shoes
A follow-up to last fall’s full-length, this four-song EP sees the London-based songwriter strengthening her case for pop-chart status while continuing to prove that that’s not her goal.

Goon, Dream 3
Both brighter-eyed and harder-hearted, the LA quartet return with a third LP of full-bodied psych-shoegaze which settles deeply into Kenny Becker’s cataclysmic transitional life period.
Steve Horton

Remastered in 4K, Rob Reiner’s satire of aging-rock-band tour docs returns to theaters this month ahead of its sequel planned for September.

Alex Ross Perry’s three-hour documentary is a love letter to the video store in cinema—albeit one perhaps best suited to equally bygone attention spans.

Director/writer/star Eva Victor’s darker-than-black comedy debut addresses heavy subject matter through unexpected tones and structures.

Wes Anderson’s latest is a very funny quest film where the quest doesn’t matter.

With their second film, brothers Michael and Danny Philippou bring us a tale of dark resurrection and the chaos that ensues.