With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Ethel Cain, Willoughby Tucker, I’ll Always Love You
The prequel to Preacher’s Daughter helps sprawl Hayden Silas Anhedönia’s narrative out even further while dialing up the intensity of her droning slowcore/shoegaze textures.

Osees, Abomination Revealed at Last
John Dwyer has crafted his most overtly political album yet in terms of both its lyrical and musical attack, with his band’s recent linear and pared-down punk style put to enjoyably cutthroat use.

Marianne Faithfull, Cast Your Fate to the Wind: The Complete UK Decca Recordings
Reissued for the first time in this six-CD box set are the British singer’s original Decca albums, along with a double LP of singles, B-sides, and rarities from the era.
Steve Horton

Remastered in 4K, Rob Reiner’s satire of aging-rock-band tour docs returns to theaters this month ahead of its sequel planned for September.

Alex Ross Perry’s three-hour documentary is a love letter to the video store in cinema—albeit one perhaps best suited to equally bygone attention spans.

Director/writer/star Eva Victor’s darker-than-black comedy debut addresses heavy subject matter through unexpected tones and structures.

Wes Anderson’s latest is a very funny quest film where the quest doesn’t matter.

With their second film, brothers Michael and Danny Philippou bring us a tale of dark resurrection and the chaos that ensues.