Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Remi Wolf, Mud
Written in the aftermath of a breakup, the alt-pop songwriter’s gut punch of a third album sees her diving into discomfort head first without losing any of her storytelling’s signature color.
Total Wife, come.back.down.x.recovery
The Nashville-based shoegaze experimentalists enlist their peers to help rehab rough demos from last year’s Come Back Down, with the resulting EP proving unexpectedly cohesive.
Cameron Winter, Live at Carnegie Hall
As a work apart from Paul Thomas Anderson’s colorful concert film, the Geese frontman’s piano-and-vocals-only live album still works as a marvelous still-life treat.
Taila Lee
Written in the aftermath of a breakup, the alt-pop songwriter’s gut punch of a third album sees her diving into discomfort head first without losing any of her storytelling’s signature color.
On a prismatic album about reconstruction and fulfillment, the Honduran-American songwriter embodies pure-hearted conviction to remind us home is where the heart is.
The winsome punks’ urgent third record feels like a fresh revisiting of familiar themes—most notably the ever-present, agonizing ache for political action.
The pop star’s eighth record finds roots in resilience, twisted romance, and unsparing musings on fame, though it never quite ascends to the extravagant spectacle it sets the stage for.
