Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
This Is Lorelei, Holo Boy
Water From Your Eyes’ Nate Amos digs into his back catalog of nearly 70 releases shared over the last 12 years, revealing his humble beginnings and the seeds of last year’s breakout LP.
Pink Floyd, Wish You Were Here 50
This box set repackages the languid yet damaged follow-up to the band’s breakout success, with its true star being the massive-sounding bootleg of a 1975 live show at LA’s Sports Arena.
Blur, The Great Escape [30th Anniversary Edition]
Packed with era-appropriate B-sides, this release celebrates the Britpop quartet in their last gasp of opulent orchestration as they moved into lonely disillusionment and reserved distance.
Taylor Ruckle
Their album Omniscient Cloud Cover comes out September 30 on Bob Nastanovich’s Brokers Tip Records.
Skye Holden offers a track-by-track breakdown of the album alongside an early stream of the full project.
The Chicago post-punks also answer a few Qs about their upcoming EP Nothing You Do Matters and working with Andrew.
The Winnipeg groups’ debut record 10/10 arrives September 9 via Midwest Debris.
Along with debuting a new visual for “Silent Waters,” Rachel Gordon breaks down the Philly hardcore group’s new album, out now via Quiet year.
The songwriter and filmmaker’s third album Catch the Light arrives June 17.
The beats on Florence Welch’s fifth album are more physical than ever, and the lyrics are darkly comic—all in service to that thrilling feeling of dancing on the edge of a knife.
Moaning bassist Pascal Stevenson’s debut solo record Scrutiny arrives June 17 via Felte.
The debut LP from the Hamilton, Ontario trio balances soaring guitars, soft atmospherics, and complicated spirituality.
A video for the track arrives ahead of the Pittsburgh group’s sophomore album, out June 3 via Crafted Sounds.
The Montana-based chiptune experimentalists’ debut LP Psychokinetic Love Songs is out April 29.
This reissue of the band’s final and least-praised record benefits most from the restored track order as intended by producer Nigel Godrich.
Shelby Dillon’s visual for the Falling in Love Is Not That Hard single arrives ahead of tonight’s album release show at The Hideout in Chicago.
While it doesn’t always live up to its most groundbreaking forebears, this sort-of posthumous release often succeeds in its own right.
The Chris Farren–directed visual announces Elise Okusami’s new album Nothing’s Ever Fine, which arrives April 8 via Polyvinyl.
The London-based indie rockers’ latest EP is an anti-formalist return to form.
The latest single from “Galactic Africa” pushes back on neo-colonialism in energetic Afrobeat fashion.
Kennedy Freeman shares the first of two full-band singles already planned for 2022.
The track arrives ahead of the “Jagged Little Pill” cast member’s debut album, “My Bed.”
The Québec-based songwriter celebrates the richness of her culture and the healing she’s achieved through transmitting it on her latest release.
