Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Bad Brains, Are You Ready
With these raw recordings from 1979, the DC band provides a glimpse into the birth of modern hardcore-punk—which would be far more exciting if we didn’t already have the incendiary Black Dots collection.
The Olivia Tremor Control, The Same Place
A sense of mortality hangs over the band’s final opus despite otherwise picking up right where they left off 27 years ago in proving that psych rock can be so much more than pastiche.
Queens of the Stone Age, Perfecth
The one-time stoner rockers sound totally at ease on an uncharacteristically relaxed-fit release that puts Josh Homme’s personality front-and-center.
Tim Sommer
With these raw recordings from 1979, the DC band provides a glimpse into the birth of modern hardcore-punk—which would be far more exciting if we didn’t already have the incendiary Black Dots collection.
Colin Newman and Malka Spigel’s latest album of hypnotic krautrock is full of melody, persistence, gravity, and power—it’s perfect for any old or new highway dream.
Sixteen long years since his last album, Vini Reilly makes a welcome return with a low-key album that’s still rich and lovely, unpretentious and open-hearted.
This re-release presents a band that’s palatably gleeful to have figured out their formula with an astonishingly cohesive and weirdly poppy picture of a Cold War–fogged world.
Poised, exotic, and engaging from start to finish, the English jangle-pop outfit’s unexpected delight of a 17th studio album is a magical soundtrack for this uncertain spring.
The genre-hopping fifth LP from Verity Susman and Matthew Simms is more ornate and ambitious than their earlier material, though ultimately the whole is lesser than the sum of the parts.
