Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Overmono, Pure Devotion
The sibling duo’s second album encapsulates a contemporary fusion of popular approaches to electronic music, one that’s imbued with a sense of familiar emotional weight.
John Carpenter, Cathedral
The Halloween composer-director’s latest effort is a synth-heavy metal album planned as a soundtrack to his first-ever graphic novel, though both endeavors stand on their own merits.
Ariana Grande, Petal
The pop star’s eighth record finds roots in resilience, twisted romance, and unsparing musings on fame, though it never quite ascends to the extravagant spectacle it sets the stage for.
Tim Sommer
Sixteen long years since his last album, Vini Reilly makes a welcome return with a low-key album that’s still rich and lovely, unpretentious and open-hearted.
This re-release presents a band that’s palatably gleeful to have figured out their formula with an astonishingly cohesive and weirdly poppy picture of a Cold War–fogged world.
Poised, exotic, and engaging from start to finish, the English jangle-pop outfit’s unexpected delight of a 17th studio album is a magical soundtrack for this uncertain spring.
The genre-hopping fifth LP from Verity Susman and Matthew Simms is more ornate and ambitious than their earlier material, though ultimately the whole is lesser than the sum of the parts.
