With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Nia Archives, Silence Is Loud
With her debut collection of drum and bass music, the English musician comments on the history of a multitude of subgenres in a way that’s never navel-gazey and always assured.
girl in red, I’M DOING IT AGAIN BABY!
Marie Ulven’s revved-up sophomore LP is both fun and uncomfortable, a poperatic portrait of the artist fucking up and learning in real time.
Cloud Nothings, Final Summer
Though continuing to build off the blueprint of 2012’s Attack on Memory, Dylan Baldi replaces some of that early release’s angst with a measured positivity on the group’s eighth album.
Sarabeth Oppliger
The mini-doc includes: Zac Carper of FIDLAR discussing how he drinks his coffee with slabs of butter, how he developed The Frights’ sound, and how working with the trio helped him reconnect with reality.
Soft Hair is every bit as curious as the personae the musicians have created within the moniker.
The Twin Cities trio Animal Lover released their debut Stay Alive in September, but they’ve hardly slowed down since. The band recently wrapped…
The indie rockers from Manchester Orchestra, who made the “acoustic” soundtrack for “Swiss Army Man”—out now on DVD and Blu-ray—share their favorite moments in which film and music blend seamlessly to create the perfect scene.
The avant-garde Berlin duo drops the 3D video for their latest single.
Keep your head in the clouds with the LA sextet.
Plus four other out-of-the-box fashion collaborations.
The band’s full set airs next Tuesday on WorldArts.
Brooklynites gone wild!
From the group’s self-titled farewell record.
It’s the latest episode of the Galaxy Barn Series, part of the Oregon festival’s Spring Season.
Zach Rogue and Pat Spurgeon pare down tracks from April’s “Delusions of Grand Fur.”
Earnest crooning and intriguing set decorations brought the singer-songwriter’s music to life
Regrettably, the resulting ten tracks are a confusing and muddied mélange.
“Ghost Modern,” Geographer’s third full-length, is an intricate, yet sometimes overwhelmingly crowded listening experience.
Multi-instrumentalist Chris Ward returns under the soulful, psych-pop moniker Tropics with a sophomore offering that whittles down his influences and settles on a new focus, in both aesthetic and overall message.
Now, four albums in—each featuring a revolving door of talented buddies to jam with—the spacey psych-rock group has successfully shed the “spin-off” stigma with the aptly titled “Man It Feels Like Space Again.”
Milo Greene definitely still know how to make a catchy record with “Control,” but with the band drifting away from their dreamy indie-folk twinges, it’s hard not to wonder at what cost.
Here’s a fun fact: Jack White worked as an upholsterer in Detroit before the White Stripes came to fruition. Here’s…
We’ve remained faithful viewers of The Walking Dead since its premiere in 2010, gluing our eyes to the television screen every week…