With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Devendra Banhart, Cripple Crow [20th Anniversary Deluxe Edition]
Further extending the LP’s dimensions, this reissue adds a third disc of outtakes, B-sides, and demos that only serve to fortify the project’s sonic asymmetry and emotional, quixotic lyricism.

Die Spitz, Something to Consume
With their Will Yip–produced debut, the Austin punk quartet has something to say about postmodern society in 11 metal-fusion tracks ripe with political turmoil and skatepark angst.

Shame, Cutthroat
The UK rockers don’t mince words on their fourth studio album, pairing their infectious proto-punk grooves with nakedly hedonistic lyrics.
A.D. Amorosi

Further extending the LP’s dimensions, this reissue adds a third disc of outtakes, B-sides, and demos that only serve to fortify the project’s sonic asymmetry and emotional, quixotic lyricism.

With the aid of Ghost Train Orchestra and Kid Harpoon, Byrne continues his trek across urban prairies to explore our goofball commonalities, the quirks of romance, and his own intimacies.

The London trio go out with a loud, still chic-sounding bang—their final album is a party bus filled with old friends, new pals, and fresh, glittering sounds for a proper send-off.

The Icelandic artist’s third album exposes the nerve of classicism that’s long bubbled beneath her jazzy arrangements and melodies, exploiting the broader possibilities of her voice.

On the heels of her first album since settling her nearly decade-long lawsuit, the artist discusses her journey of self-reclamation and her dedication to ensuring that the next generation of pop stars don’t face the same predation.

The pop star embraces the risqué and ribald double (or triple) entendre on her latest record while sticking to the success-filled formula of last summer’s breakout LP.

Dev Hynes’ guest-filled yet distinctly lonely first album in seven years takes his usual complex arrangements, epic electronica, and intricate melody-making and pushes them into the red.

For every tender moment on the country artist’s fifth album there’s one of wind-blow abandon, a yin and yang that complements her split allegiance to the genre’s rich history and the present day.

Chris Smith’s film about the new wave icons possesses a sentimentality largely missing from the band’s 50-year career.

The electronic songwriter discusses her second solo LP, going independent, and the influence of her anomalous body of work on younger generations of pop stars.

Each member’s strengths are on high alert, making the alt-metal band’s thrashing and highly imaginative 10th album a thing of brutal beauty.

The songwriter’s intimately recorded latest LP is a simple affair where humor and bluntness roam freely and his typical experimentation hardly obscures the beauty of his songwriting craft.

The edgy but earnest Indonesian-American rapper further leans into his identity on his first album in six years, welcoming a variety of guests on his trek through self-actualization.

Ethan Silverman’s new documentary celebrates the glam-rock icon and the ever-growing legacy he left behind.

Reissued for the first time in this six-CD box set are the British singer’s original Decca albums, along with a double LP of singles, B-sides, and rarities from the era.

The pop star’s big voice and actorly prowess help convince us that the choppy, Sapphic-punkish pop and curt, self-reproaching snipe of her second LP burrow deep into her soul.

On their fifth proper LP, Ruby da Cherry and Scrim’s usually dense, trap-imbued soundscapes are open and airier, leaving more room for the duo and their guests to misery-wallow within.

A companion to her 1998 downtempo LP Ray of Light, this collection is a series of fresh, future-forward edits, remixes, and demo tracks meant to expand the vision of the original album.

Meant to tell a deeper story behind the songwriter’s 1969 debut, each demo, outtake, and alternate version on this 4-LP set radiates the piecemeal feel of a novice grasping his way through a new endeavor.

The band’s first album with Brian Eno is a portrait of two ecosystems learning each other’s ways, with this box set’s exclusive rarities further revealing the collaboration’s inner workings.