With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

My Morning Jacket, Z [20th Anniversary Deluxe Edition]
Remastered and padded out with 14 outtakes and demos, this reissue of the Louisville band’s fourth LP celebrates their breakout moment of glorious, cosmos-reaching rock music.

Perturbator, Age of Aquarius
Vocals from Ulver, Alcest, and Author & Punisher help James Kent thrust his darksynth project into lightspeed as it comes closer than ever to a full-fledged band’s sound.

Tame Impala, Deadbeat
Despite finding inspiration in house music and the birth of his daughter, Kevin Parker’s fifth album is largely defined by a conflict between past and present.
A.D. Amorosi

D’Angelo / photo by Rozette Rago
The artist who all but invented “neo-soul” passed away today at the age of 51.

The film’s creator looks back on five decades of the cult classic as it’s further immortalized with a new Ultra HD Blu-ray release and a book of Mick Rock’s behind-the-scenes production photos.

Produced by Sean Ono Lennon, this nine-CD, three-Blu-ray set ties together his parents’ raw, grimy Some Time in New York City LP with a pair of shows at Madison Square Garden.

With her fourth album of punky and provocative raps, the Nuyorican artist is once again reimagining hip-hop as a dangerous place to be.

Coming off a set of North American tour dates with a finale at Riot Fest, the co-founder of the Celtic-rock icons faces down 40 years of Rum Sodomy & the Lash with a smile.

Bauhaus and Love and Rockets co-founder Daniel Ash discusses his grooving, menacing, and bold latest venture and how it represents an artist with nothing to lose.

This 37-track collection celebrates the London-born songwriter’s genius run of crisp, soulful R&B albums in the early ’70s that have gone on to inspire hip-hop production, film soundtracks, and more in the 21st century.

There’s a soft-spun sensuality to Plant’s singing as he duets with Suzi Dian on a collaborative collection of covers including spirituals, blues staples, and haunted contemporary folk.

Despite its VIP guest list, the rapper’s second album is less velvet-rope affair than down-to-earth contemplation, a pavement-to-penthouse-and-back-again journey through love and hip-hop.

Further extending the LP’s dimensions, this reissue adds a third disc of outtakes, B-sides, and demos that only serve to fortify the project’s sonic asymmetry and emotional, quixotic lyricism.

With the aid of Ghost Train Orchestra and Kid Harpoon, Byrne continues his trek across urban prairies to explore our goofball commonalities, the quirks of romance, and his own intimacies.

The London trio go out with a loud, still chic-sounding bang—their final album is a party bus filled with old friends, new pals, and fresh, glittering sounds for a proper send-off.

The Icelandic artist’s third album exposes the nerve of classicism that’s long bubbled beneath her jazzy arrangements and melodies, exploiting the broader possibilities of her voice.

On the heels of her first album since settling her nearly decade-long lawsuit, the artist discusses her journey of self-reclamation and her dedication to ensuring that the next generation of pop stars don’t face the same predation.

The pop star embraces the risqué and ribald double (or triple) entendre on her latest record while sticking to the success-filled formula of last summer’s breakout LP.

Dev Hynes’ guest-filled yet distinctly lonely first album in seven years takes his usual complex arrangements, epic electronica, and intricate melody-making and pushes them into the red.

For every tender moment on the country artist’s fifth album there’s one of wind-blow abandon, a yin and yang that complements her split allegiance to the genre’s rich history and the present day.

Chris Smith’s film about the new wave icons possesses a sentimentality largely missing from the band’s 50-year career.

The electronic songwriter discusses her second solo LP, going independent, and the influence of her anomalous body of work on younger generations of pop stars.

Each member’s strengths are on high alert, making the alt-metal band’s thrashing and highly imaginative 10th album a thing of brutal beauty.