FLOOD

Trent Reznor, Atticus Ross, and Boys Noize continue their collaborative streak by looking back on the NIN canon with a skull-fucking, metal-electro collab of thumping, throbbing songcraft.

40 reasons to hit your local record store this weekend, including new titles from Adrianne Lenker, Pavement, Ethel Cain, David Bowie, Air, Paramore, Dijon, and more.

Vulnerability is baked into the heartbeat of the British songwriter’s third album with an aching groove lifted to new levels courtesy of the ecstasy of dance music.

Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.

The Stockholm-based electropop auteur’s ode to motherhood falls right in line with her always-mature, somewhat-confrontational manner of making desire-driven dance pop.

This double LP celebrates the adventurous 1990 debut from the freaks of the industry by offering rare remixes and other unreleased tracks from the era packaged with a 3D gatefold.

The British songwriter returns with a four-song EP defined by theatrical arrangements and an actorish guest list featuring Iggy Pop, Laurie Anderson, Perfume Genius, and Matt Berninger.

After their KEXP session went viral, the anonymous and daringly dissonant duo discusses their upcoming LP Vol. II and finding joy in grooving.

Last night’s ceremony finally put the spotlight on several figures who’ve long earned it.

This folksy, brassy new iteration of the German trio excels at melodies that yearn and churn with melancholy—yet still manages something celebratory.

It isn’t always hard to trick ourselves into remembering Moz as he once was on this return-to-form solo LP as he matches mischievous observations with a winning brand of melancholy pop.

These early live recordings and studio demos of tracks familiar from the band’s first three LPs provide worthwhile peeks into the ensemble’s process as a trio.

The sequel to the Britpop-era War Child comp couldn’t have arrived at a better time, with its guest-filled track list embodying the charity’s mission of healing in the midst of global violence.

The new doc examines the unreasonable expectations placed on McCartney’s second most famous project, one that never shared The Beatles’ world-conquering aspirations.

Still stationed at the politicized meeting place of sexuality, queer iconography, feminism, and funk, there’s something sleekly hyperpop about the artist’s first album in over a decade.

With their recent protest singles, both the Boss and Bono have dispensed with poetry’s folderol of metaphor and allegory and gone straight for the jugular.

Focusing on the band’s mid-’70s run (and its outtakes), this package is among the oddest, most experimental, and most fulfilling in Beach Boys box history.

The alt-country songwriter makes the most out of their first full album and its rush of ideas that bask in a sense of independence—both from a repressive upbringing and major-label backing.

The emotional new collection from the 82-year-old composer/vocalist is full of sedative new-age sounds and smartly executed art-pop that skews toward the pastoral and elegiac.

With elaborate yet homey staging indigenous to his homeland of Puerto Rico, Bad Bunny’s Super Bowl LX halftime show played to the cameras and to his community.