FLOOD

The Philadelphian indie-folk troupe’s 12th album sounds like a greatest-hits package, their shiny and remastered best for the goal of optimum woodsy psychedelic crispness.

Everything held within this fabulously gluttonous 30-pound cube is designed to physically portray just what was going on inside the Lennon/Ono brain trust in NYC circa summer 1973.

After losing her singing voice, the folk-rock icon pushes her incendiary brand of writing to new heights and humors on her first record in 11 years, abetted by nearly a dozen guest vocalists.

Under a new moniker, Sturgill Simpson offers up eight cosmic country songs with a new and deeper reverence for space-cowboy blues that don’t stray far from the Sturgill we’ve always loved.

From legendary gigs in the early ’70s to studio sessions in the ’90s, Cummins’ new photography book David Bowie: Mixing Memory & Desire captures many phases of the icon’s storied career.

Following last year’s collab-heavy solo effort, the Velvet Underground co-founder’s latest is a more personal and approachable statement stuffed with vintage violence and minimalist fury.

Warren Ellis, Mick Turner, and Jim White discuss their first new collaborative album in 12 years, out now via Drag City.

David Lynch’s quietly disturbing modern-noir masterpiece is now available in director-approved 4K UHD, courtesy of Criterion Collection.

This installment of the org’s benefit series builds upon its predecessor’s variety, starpower, and vitality with original recordings and other curiosities from David Byrne & Devo, Courtney Barnett, Faye Webster, and more.

The liberated blues of Hejira and the melodic complexities of Don Juan’s Reckless Daughter and Mingus found the songwriting icon more footloose than ever.

Running through the rest of the month at NYC’s Lincoln Center, the multimedia artist discusses how the project reflects a lifetime of Afrofuturist ideas.

The collaborators’ ambient soundscape created on the spot in 1998 in Bonn, Germany sounds like a jungle-meets-musique-concrète take on Eno’s 1981 collaboration with David Byrne.

The long-awaited debut from the Fifth Harmony alum is a sleekly chic R&B album that sticks to a one-mood-fits-all soundtrack of listless soul rather than attempting innovation.

Honus Honus’ seventh album maintains the project’s mad experimental dips and tipsy lyricism while venturing into unexpectedly pretty new territory.

50 years after singing on the sole release from the first-ever prison band studio recording, the songwriter talks beginning a new chapter with the help of Brewerytown Records’s Max Ochester.

The third collection of posthumous recordings since his passing in 2016 finds the Suicide bandleader balanced between shocking melancholy and a sense of optimism.

Natasha Khan’s sixth studio album is quieter and sparer than its predecessors as motherhood lends her crowded lyrics and arrangements a new sense of loving poignancy.

The 1979 musical comedy’s director connects the dots between the late cult film figure and modernism with the Ramones in tow.

Ringo Starr discusses getting a little help from his friend Linda Perry on his recent Crooked Boy EP.

The alt-pop songwriter’s intricate third full-length collaboration with her brother FINNEAS explores what it means to grow up in public and find one’s voice, both literally and figuratively.